Left Fighting for Air at Virtua Mount Holly Hospital: Perdisha “Para” Champion

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Once alone in these hospitals
because they don't give a fuck

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about us black people.
They don't care about us.

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They'd rather sit there and let
us die so they can take out

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orchids.
You understand what I'm saying?

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My baby fought and they gave up
on her.

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She still had 50% heart rate and
they said they said enough.

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We ain't.
We can't do no more.

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She had 50% heart rate.
They were supposed to still keep

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going.
So just advocate for your loved

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ones, be there for them, love on
them for heart.

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I missed my baby because she was
a fighter.

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She was my writer.
And now she's gone.

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I'm going to miss her
everything, but I'm going to

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fight for her.
Already got a lawyer and I'm

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telling you I'm going to make
them pay.

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I'm going to make them pay.
So y'all just please scream Pat.

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You should name all over, all
over the place, all over the

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Internet because she deserves to
still be here with us.

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They took her life.
So I just wanted to tell y'all

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that story and I just want
everybody to scream at at 123

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para.
A grieving mother is standing

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outside Virtua Mount Holly
Hospital in Mount Holly, NJ Not

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at home, not in private.
Not whispering through shock.

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Standing in front of the
building itself.

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Standing in front of the place
where she says her daughter was

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failed.
And she is saying something so

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painful, so public and so
serious that it forces a

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question before this story has
even properly begun.

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Why is Sophia Shannon back here?
Why is she standing outside this

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hospital saying this?
What happened inside Virtua

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Mount Holly that turned grief
into accusation?

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Imagine this.
It is late.

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Not the kind of late that feels
dangerous.

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Not the kind of late that tells
you your life is about to split

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in two.
Just late.

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The television is on.
The house has settled into

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itself, the kind of ordinary
night that only becomes sacred

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after it is gone.
You are sitting with your

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daughter, watching TV, talking
the way mothers and daughters

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talk when there is no audience,
no ceremony, no warning, no sign

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that before the sun comes up you
will be standing inside a

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hospital trying to make people
understand that your child is

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dying.
Then she tells you her stomach

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hurts.
At first it sounds small,

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manageable, the kind of thing
people say at home all the time.

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Maybe she needs to use the
bathroom.

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Maybe it passes.
Maybe by morning she will be

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fine.
So you do what mothers do.

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You watch, you listen, you wait,
You do not panic too early, not

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yet, not while there is still
room to believe this night will

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stay ordinary.
For a moment, it even seems like

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maybe it will.
Then she starts coughing and

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what comes up has blood in it.
That is the moment the room

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changes.
That is the moment the night

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changes.
That is the moment your body

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knows.
Before your mouth can say it out

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loud, something is wrong.
You tell your daughter she needs

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to go to the hospital, but she
does not want to go.

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Not because she is reckless, not
because she does not understand

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her own body, but because she
has been to hospitals before.

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Because she already knows what
it feels like to walk into a

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medical space needing help and
still feel judged.

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Still feel looked at sideways,
still feel like people are

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deciding who you are before they
decide what is wrong with you.

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Because for some black women,
the fear is never just the

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illness.
The fear is also the way you may

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be treated while you are trying
to survive it.

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So you wait a little longer.
You keep watching her.

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You keep hoping.
You keep trying to believe this

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moment might pass.
Then she says something that

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strips the room of all denial.
She is having trouble breathing

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now.
There is no more.

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Maybe no more talking yourself
out of fear.

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No more wait and see.
It is around 2:00 in the

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morning.
You call 911 when emergency

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responders arrive.
Her breathing is shallow.

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You can hear the labor in it.
You can hear the strain in it.

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Every breath sounds like work.
Every inhale sounds like a body

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trying to stay ahead of
something it is already losing

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ground to.
Before she leaves, she says she

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needs to use the bathroom.
There is blood there too.

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You tell them.
You tell the people who are now

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responsible for your daughter's
life what you saw.

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Then you ask the question
families ask when they still

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believe there is time.
Where are you taking her?

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You know where her doctors are.
You know where her records are,

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you know which hospital feels
safer in your spirit.

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But you are told they want to
take her somewhere local.

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So now your daughter is in an
ambulance and you are doing what

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mothers do when fear gets too
big to hold properly.

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You are watching, listening,
praying, trying not to let your

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panic become hers.
Then you get to the hospital and

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instead of movement, there is
waiting.

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Instead of urgency, there is
distance.

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Instead of being right there
with your daughter, you are told

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to sit in the waiting room and
time starts doing something

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cruel.
It stretches, It hardens.

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It turns every minute into a
question.

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What is happening back there?
Who is watching her?

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Is somebody seeing what you saw?
Is somebody moving fast enough?

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By the time they bring you back,
hours have passed.

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Your daughter has soiled
herself.

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Her breathing is worse, and you
are looking at the room, looking

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at her, looking at the staff,
trying to understand how

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somebody who came in struggling
for air still looks like

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somebody fighting to survive.
Then eventually the breathing

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machine comes, the mask, the
intervention that in your mind

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should have already been there.
It goes on, and almost

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immediately your daughter starts
pulling at it, trying to tug it

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away, trying to tell them
something is wrong, trying to

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tell you something is wrong.
And then she says the words that

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will live in your body forever.
Mom, this is way too much air.

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That is the last thing she says.
Then the numbers start falling.

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Her heart rate drops.
People start moving.

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Not in the order you think they
should, not in the speed you

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think they should.
Hands are on her.

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Restraints go on her arms.
You are screaming.

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You are asking why they are not
doing more, why they are not

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doing it now, why your
daughter's body is collapsing in

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front of you while you are still
trying to make somebody

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understand that this is not just
another patient, this is your

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child.
Then she codes, then again, then

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again, then again, and somewhere
between the machines, the

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shouting, the medical language
and the terror, a mother begins

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to understand that her daughter
may be dying inside the very

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place that was supposed to save
her.

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That mother is Sophia Shannon.
Her daughter was Perdisha, Para

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Champion, affectionately known
by her parents and friends as

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Para.
This is no tears for black

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girls.
The cases they ignored.

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I'm Samantha Paul.
Tonight we are not just looking

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at the death of a 28 year old
black mother.

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We are looking at what her
mother says happened inside

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Virtua Mount Holly Hospital.
We are looking at the decisions,

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the delays, the treatment, the
moment Sophia says should have

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gone differently.
And we are looking at why.

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This story is landing inside a
much bigger conversation about

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bedside neglect, patient
treatment, medical

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discrimination, and the deep
mistrust so many Black families

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already carry when they walk
into spaces like this.

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What you are about to hear is
based on public records, public

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family statements and a direct
interview.

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Our show's investigator and
producer JC Reedberg conducted

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with Sophia Shannon about what
happened to her daughter.

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No Tears for Black Girls reached
out to Virtua Mount Holly

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Hospital regarding Perdisha
Champion, the family's

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allegations and concerns about
the care she received.

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By the time of this recording,
the hospital had not responded.

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And that matters because Sophia
is not speaking like a mother

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who is confused about what
happened.

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She is speaking like a mother
who believes her daughter was

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failed.
And before we go deeper into the

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hospital room, before we examine
the final hours and before we

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look at what people have been
saying publicly about Virtua

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Mount Holly, we need to
understand who Para was.

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Because before she became a
case, before she became an

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allegation, before her mother
came back to this hospital

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demanding answers, Perdisha Para
Champion was a daughter, a

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mother and a woman her family
loved fiercely.

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And according to Sophia Shannon,
a woman who was still trying to

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live, Sophia describes her
daughter as beautiful inside and

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out.
Not just pretty, not just

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stylish.
Beautiful in the way she loved

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people, beautiful in the way she
showed up, beautiful in the way

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she carried herself through
pain.

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She says Para loved hard.
If you were her friend, she

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would go to bat for you.
If you were down, she would make

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room for you if you needed help.
She was the kind of person who

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did not just say she cared, she
acted like it.

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And those details matter,
because too often black women

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are only described after
something terrible has already

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happened to them.
Only described once they are

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gone.
Only described once the world

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has to be convinced their life
mattered.

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But before she became a hospital
allegation.

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Before she became a death
certificate, before she became a

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mother, standing outside a
building begging for answers,

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Perdisha Para Champion was a
full person.

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She was joy, she was energy, she
was style.

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She was somebody whose presence,
according to Sophia, could be

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felt the moment she entered a
room.

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Sophia says her daughter had a
gift for reading people, reading

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their spirit, reading their
energy, reading whether somebody

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was genuine or not.
And that kind of instinct

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usually comes from surviving
enough to know what people feel

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like before they fully reveal
themselves.

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Sophia says.
Para loved to dance, loved to

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laugh, loved to have a good
time.

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She says her daughter did not
need anything extra to become

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the life of the room she already
was.

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She loved looking good, hair
done, nails done, fresh outfits,

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fresh sneakers, the newest
Jordans.

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Again, those details matter
because those are the details of

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a living woman, the details of
taste, the details of selfhood,

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the details that keep a person
from being flattened into

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tragedy.
Sophia says Para was a great

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daughter, a great sister, a
great aunt, a hard worker before

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her health began taking more
from her.

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But above all, she was Ava's
mother.

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And when Sophia talks about that
part of her daughter, you can

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hear the story settle into its
deepest truth.

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Because Ava was not a side note
in Para's life.

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Ava was the center.
Sophia says Para made sure Ava

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had what she needed.
Not just clothes, not just food,

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not just the visible things
people can point to and tally

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up.
She made sure her daughter felt

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loved.
If Ava liked art, Para got her

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art supplies, sketchbooks,
colored pencils, pens, things

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that fed her imagination.
She took her to the park.

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She bought her little gifts.
She spent time with her.

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She paid attention.
And Sophia says her daughter

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would give her last for Ava.
That sentence tells you almost

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everything you need to know.
She would give her last for Ava.

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That is not poetic language.
That is not a mother dressing

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grief up to make it sound
beautiful.

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That is a mother telling you
exactly what kind of woman her

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daughter was.
A woman who was living for her

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child.
A woman who still had future in

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her mind.
A woman who still expected to be

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here.
And that is what makes the next

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part so important.
Because if you only hear the

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word lupus, you may start making
peace too early with an ending

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Sophia does not accept.
Public memorial pages and the

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family fundraiser say Para had
been battling lupus.

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That part is true.
But Sophia says that phrase by

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itself is not enough.
Because in her view, Para was

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not simply declining.
She was trying to recover,

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trying to get stronger, trying
to get back to herself, trying

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to stay here.
Sophia says her daughter had

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been gaining weight back,
getting stronger, wanting to go

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outside again, wanting to do
more, wanting to be more like

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00:14:00,640 --> 00:14:04,440
herself again.
That matters because too many

233
00:14:04,440 --> 00:14:08,080
people hear chronic illness and
quietly start rewriting the

234
00:14:08,080 --> 00:14:11,080
story backward.
They start treating the ending

235
00:14:11,080 --> 00:14:14,920
like it was already written,
like any loss after that becomes

236
00:14:14,920 --> 00:14:18,040
inevitable.
Sophia does not believe that.

237
00:14:18,600 --> 00:14:22,120
She says Para was not giving up.
She says Para was trying to

238
00:14:22,120 --> 00:14:25,400
live, and she gives details that
make that plain.

239
00:14:25,880 --> 00:14:29,200
She says her daughter loved to
cook, really cook.

240
00:14:29,840 --> 00:14:33,640
Not just enough to fix something
quick, not just enough to get

241
00:14:33,640 --> 00:14:37,000
through the day.
Cook with feeling, Cook with

242
00:14:37,000 --> 00:14:39,600
skill.
Cook the kind of food people

243
00:14:39,600 --> 00:14:43,480
remember.
And according to Sophia, even

244
00:14:43,480 --> 00:14:47,720
when Para was in a wheelchair,
she was still cooking, still

245
00:14:47,720 --> 00:14:52,160
making meals, still doing what
she loved, still trying to keep

246
00:14:52,160 --> 00:14:55,680
some sense of normal life alive
inside a body that had already

247
00:14:55,680 --> 00:14:59,560
put her through too much.
Then Sophia shares something

248
00:14:59,560 --> 00:15:02,800
that changes the way you hear
every single part of what comes

249
00:15:02,800 --> 00:15:05,640
next.
She says that about a month

250
00:15:05,640 --> 00:15:09,440
before the final night of her
daughter's life, Para had all 5

251
00:15:09,440 --> 00:15:12,960
toes amputated from 1 foot
because of circulation issues.

252
00:15:13,760 --> 00:15:18,800
Just sit with that for a second.
A young woman, a mother, already

253
00:15:18,800 --> 00:15:23,440
living with lupus, already
carrying pain, already trying to

254
00:15:23,440 --> 00:15:27,800
recover, and now recovering from
losing all 5 toes on one foot.

255
00:15:28,760 --> 00:15:32,080
According to Sophia, what first
looked like one thing became

256
00:15:32,080 --> 00:15:35,920
much worse.
The condition worsened, the toes

257
00:15:35,920 --> 00:15:40,520
turned black, deteriorated, and
eventually had to be removed.

258
00:15:41,760 --> 00:15:44,960
So when Sophia describes her
daughter as a fighter, she is

259
00:15:44,960 --> 00:15:48,600
not using that word loosely.
She means her daughter had

260
00:15:48,600 --> 00:15:51,880
already been through a level of
pain and medical trauma that

261
00:15:51,880 --> 00:15:55,280
would have broken a lot of
people physically, mentally,

262
00:15:55,800 --> 00:15:59,640
spiritually.
And still, in Sophia's telling,

263
00:16:00,160 --> 00:16:01,880
Para was trying to come back
from it.

264
00:16:02,680 --> 00:16:06,880
Still trying to heal, still
trying to get stronger, still

265
00:16:06,880 --> 00:16:11,480
trying to be here for Ava, still
trying to remain in her own

266
00:16:11,480 --> 00:16:14,360
life.
That is the woman Sophia says

267
00:16:14,360 --> 00:16:16,280
went into Virtua Mount Holly
Hospital.

268
00:16:16,920 --> 00:16:19,960
Not a woman her family had
already begun preparing to lose.

269
00:16:20,480 --> 00:16:23,560
Not a woman already framed in
their minds as slipping away.

270
00:16:24,280 --> 00:16:27,720
A woman in recovery.
A woman still trying.

271
00:16:28,440 --> 00:16:32,120
A woman still reaching for life.
And Sophia says her daughter's

272
00:16:32,120 --> 00:16:35,040
hopes were not abstract.
They were specific.

273
00:16:35,640 --> 00:16:39,680
She wanted to be here for Ava.
She wanted to watch her grow up,

274
00:16:40,120 --> 00:16:43,520
to watch her walk across that
stage, to watch her become a

275
00:16:43,520 --> 00:16:46,720
woman, to be there for the
milestones mothers are supposed

276
00:16:46,720 --> 00:16:50,280
to reach.
That was the future Sophia says

277
00:16:50,400 --> 00:16:52,680
was still alive in her
daughter's mind.

278
00:16:53,400 --> 00:16:56,120
That was the future she says her
daughter was still moving

279
00:16:56,120 --> 00:16:59,280
toward.
And that is why Sophia cannot

280
00:16:59,280 --> 00:17:02,920
accept what happened next as
simply nature taking its course.

281
00:17:03,880 --> 00:17:07,440
Because in her mind, Para did
not walk into that hospital as

282
00:17:07,440 --> 00:17:09,480
somebody fading quietly out of
life.

283
00:17:10,400 --> 00:17:13,760
She walked into that hospital as
a young black mother, still

284
00:17:13,760 --> 00:17:16,880
trying to hold on to it.
Which brings us back to the

285
00:17:16,880 --> 00:17:20,839
night everything changed.
According to Sophia, it started

286
00:17:20,839 --> 00:17:26,200
at home, quietly, ordinarily,
the way so many disasters do.

287
00:17:27,119 --> 00:17:29,840
She and Para were watching
television together the way they

288
00:17:29,840 --> 00:17:33,080
often did.
And sometime that night, Para

289
00:17:33,080 --> 00:17:36,680
said something that, at first,
did not sound like the beginning

290
00:17:36,680 --> 00:17:40,240
of a death story at all.
My stomach hurts.

291
00:17:41,000 --> 00:17:45,240
At first, it sounded small,
manageable, the kind of thing

292
00:17:45,240 --> 00:17:48,040
people say at home every day and
live through every day.

293
00:17:48,320 --> 00:17:51,200
But this time, that was only the
beginning.

294
00:17:51,800 --> 00:17:55,120
According to what Sophia Shannon
told our show's investigator and

295
00:17:55,120 --> 00:17:59,480
producer JC Reedberg, the shift
from ordinary night to medical

296
00:17:59,480 --> 00:18:02,160
emergency did not happen all at
once.

297
00:18:02,640 --> 00:18:05,760
It happened in stages.
That is part of what makes this

298
00:18:05,760 --> 00:18:09,520
story so hard to hear, because
there was still time in the room

299
00:18:09,520 --> 00:18:14,240
for hope, still time for denial,
still time to tell yourself,

300
00:18:14,240 --> 00:18:20,000
maybe this passes, maybe this is
1 bad moment, maybe by morning

301
00:18:20,240 --> 00:18:24,200
everything settles down.
Sophia says she and Para were at

302
00:18:24,200 --> 00:18:27,080
home watching television
together, doing something

303
00:18:27,080 --> 00:18:31,840
simple, familiar and
unremarkable, the kind of night

304
00:18:31,840 --> 00:18:35,160
nobody records because nobody
thinks they are living inside

305
00:18:35,160 --> 00:18:38,520
the last normal hours they will
ever have with somebody they

306
00:18:38,520 --> 00:18:41,520
love.
Then Para says her stomach

307
00:18:41,520 --> 00:18:45,000
hurts.
At first, that does not sound

308
00:18:45,000 --> 00:18:48,520
like catastrophe.
It sounds like discomfort, a

309
00:18:48,520 --> 00:18:52,360
bathroom problem, a passing
issue, something people say

310
00:18:52,360 --> 00:18:56,680
every day and survive every day.
Sophia says they thought maybe

311
00:18:56,680 --> 00:19:00,720
she needed to use the bathroom.
Maybe once she went, the pain

312
00:19:00,720 --> 00:19:03,600
would ease up.
Maybe that was all it was.

313
00:19:04,480 --> 00:19:08,080
And for a moment, there was
still room to believe that there

314
00:19:08,080 --> 00:19:10,400
was still room to think.
This night had not turned.

315
00:19:11,720 --> 00:19:16,360
Then Para started coughing, and
according to Sophia, what came

316
00:19:16,360 --> 00:19:20,160
up had blood in it.
Not a little fear, not a vague

317
00:19:20,160 --> 00:19:24,840
feeling something was off blood.
That is the point where a

318
00:19:24,840 --> 00:19:27,000
mother's instincts stop
negotiating.

319
00:19:27,880 --> 00:19:30,520
That is the point where the room
stops feeling ordinary.

320
00:19:31,280 --> 00:19:33,480
That is the point where your
body starts telling you the

321
00:19:33,480 --> 00:19:35,960
truth before your mind has fully
caught up to it.

322
00:19:37,240 --> 00:19:40,520
Something is wrong.
Sophia says she told her

323
00:19:40,520 --> 00:19:44,000
daughter she needed to go to the
hospital, but Para did not want

324
00:19:44,000 --> 00:19:46,240
to go.
And if you rush past that

325
00:19:46,240 --> 00:19:47,960
detail, you miss something
important.

326
00:19:48,680 --> 00:19:51,440
She did not want to go.
Not because she did not

327
00:19:51,440 --> 00:19:53,200
understand that something was
happening.

328
00:19:54,040 --> 00:19:56,480
Not because she was being
stubborn for no reason.

329
00:19:57,160 --> 00:20:00,680
According to Sophia, Para hated
going to the hospital because of

330
00:20:00,680 --> 00:20:05,360
how she had been treated before.
That sentence matters because

331
00:20:05,360 --> 00:20:08,760
now the emergency is unfolding
inside a much older story.

332
00:20:09,520 --> 00:20:14,160
A story about prior experiences,
prior mistreatment, prior

333
00:20:14,160 --> 00:20:18,080
humiliation, prior moments that
taught a young Black woman that

334
00:20:18,080 --> 00:20:21,400
walking into a hospital did not
always mean walking into care.

335
00:20:22,240 --> 00:20:25,080
Sophia says her daughter had
been made to feel like less of a

336
00:20:25,080 --> 00:20:27,840
person.
Made to feel like staff thought

337
00:20:27,840 --> 00:20:30,440
she was there for pain medicine
instead of real pain.

338
00:20:31,240 --> 00:20:33,960
Made to feel like her illness
was not being seen with the

339
00:20:33,960 --> 00:20:37,800
seriousness it deserved.
And once you understand that,

340
00:20:38,240 --> 00:20:43,200
the hesitation makes more sense.
Now the question is not just why

341
00:20:43,200 --> 00:20:46,200
didn't she want to go?
The question becomes what has

342
00:20:46,200 --> 00:20:49,640
happened to this woman in
medical spaces before that made

343
00:20:49,640 --> 00:20:52,560
her afraid to enter one while
actively getting sicker?

344
00:20:53,240 --> 00:20:54,720
That is a different kind of
detail.

345
00:20:55,640 --> 00:20:59,120
That is the kind of detail that
tells you this story is not just

346
00:20:59,120 --> 00:21:02,080
about one night.
It is also about the memory a

347
00:21:02,080 --> 00:21:05,840
body carries into crisis.
Sophia says they stayed home a

348
00:21:05,840 --> 00:21:10,560
little longer not because the
danger had disappeared, because

349
00:21:10,560 --> 00:21:13,200
there was still that terrible
little pocket of hope people

350
00:21:13,200 --> 00:21:16,560
cling to when they do not want
the night to become what it is

351
00:21:16,560 --> 00:21:21,560
becoming.
You watch, you wait, you look

352
00:21:21,560 --> 00:21:25,200
again, you tell yourself maybe
the worst part has passed.

353
00:21:25,800 --> 00:21:29,440
Maybe the coughing stops, maybe
the blood does not come back,

354
00:21:30,240 --> 00:21:34,000
maybe the body settles down.
But then the symptoms changed

355
00:21:34,000 --> 00:21:37,480
again, and this time they
changed in a way that left no

356
00:21:37,480 --> 00:21:41,600
room for interpretation.
Around 2:00 in the morning,

357
00:21:41,720 --> 00:21:45,760
Sophia says Para told her she
was having trouble breathing.

358
00:21:46,840 --> 00:21:50,680
That is the moment the story
drops through the floor, because

359
00:21:50,680 --> 00:21:53,160
stomach pain can still sound
explainable.

360
00:21:53,560 --> 00:21:57,200
Even blood can send people into
denial for a few terrible

361
00:21:57,200 --> 00:21:59,920
minutes while they try to
rationalize what they are

362
00:21:59,920 --> 00:22:02,520
seeing.
But breathing is different.

363
00:22:03,480 --> 00:22:05,800
Breathing forces the truth into
the room.

364
00:22:06,560 --> 00:22:09,680
Once somebody says they cannot
breathe, the entire night

365
00:22:09,680 --> 00:22:13,160
changes shape.
Sophia called 911.

366
00:22:13,960 --> 00:22:17,360
And while families are waiting
for emergency responders, time

367
00:22:17,360 --> 00:22:20,520
does something cruel.
It starts stretching.

368
00:22:21,040 --> 00:22:25,640
Every second becomes louder.
Every sound becomes suspicious.

369
00:22:26,560 --> 00:22:29,840
Every look at the body becomes a
search for whether things are

370
00:22:29,840 --> 00:22:34,040
getting worse.
Sophia says that by the time EMS

371
00:22:34,040 --> 00:22:36,560
arrived, Para's breathing was
shallow.

372
00:22:37,480 --> 00:22:41,640
You could hear the labor in it,
hear the body straining, hear

373
00:22:41,640 --> 00:22:44,600
the effort it was taking just to
pull in air and push it back

374
00:22:44,600 --> 00:22:46,960
out.
This was not a woman calmly

375
00:22:46,960 --> 00:22:48,600
sitting through discomfort
anymore.

376
00:22:49,400 --> 00:22:51,760
This was a woman in visible
distress.

377
00:22:52,480 --> 00:22:55,640
And before they left for the
hospital, there was another

378
00:22:55,640 --> 00:22:57,800
detail Sophia says she cannot
forget.

379
00:22:58,960 --> 00:23:01,120
Para said she needed to use the
bathroom again.

380
00:23:01,120 --> 00:23:04,560
And according to Sophia, there
was blood in her stool.

381
00:23:05,320 --> 00:23:07,560
Think about the amount of alarm
inside that moment.

382
00:23:08,280 --> 00:23:13,200
A woman with stomach pain, then
coughing blood, now trouble

383
00:23:13,200 --> 00:23:15,800
breathing, now blood in her
stool.

384
00:23:16,560 --> 00:23:19,800
The body was sending signal
after signal after signal.

385
00:23:20,840 --> 00:23:23,800
Sophia says she told EMS what
she had seen.

386
00:23:24,480 --> 00:23:26,080
She says she made sure they
knew.

387
00:23:26,640 --> 00:23:29,840
And then she asked the question
that now hangs over everything

388
00:23:29,840 --> 00:23:32,800
that followed.
Where are you taking her?

389
00:23:33,480 --> 00:23:36,080
That is not a small question in
this story.

390
00:23:36,560 --> 00:23:39,120
That is one of the biggest
questions in this entire case

391
00:23:39,600 --> 00:23:43,240
because according to Sophia,
many of Para's doctors were at

392
00:23:43,240 --> 00:23:46,800
Cooper University Hospital.
That was the hospital she

393
00:23:46,800 --> 00:23:49,280
trusted more.
That was the place where her

394
00:23:49,280 --> 00:23:51,600
daughter's medical history was
already known.

395
00:23:52,360 --> 00:23:56,360
That was where in Sophia's mind,
the full complexity of her

396
00:23:56,360 --> 00:23:58,760
daughter's condition would have
been better understood.

397
00:23:59,640 --> 00:24:04,400
But according to Sophia, EMS
told them Cooper was too far and

398
00:24:04,400 --> 00:24:09,560
recommended something closer.
Virtua Mount Holly, Mount Holly,

399
00:24:09,560 --> 00:24:14,320
NJ, A local hospital.
A practical choice, maybe on

400
00:24:14,320 --> 00:24:18,280
paper, a short distance choice,
a convenience choice.

401
00:24:19,280 --> 00:24:22,960
And for Sophia now, the most
haunting choice in the entire

402
00:24:22,960 --> 00:24:25,640
story.
Because what sounds practical in

403
00:24:25,640 --> 00:24:28,800
the moment can become unbearable
later, when the outcome is

404
00:24:28,800 --> 00:24:31,680
death.
Sophia says plainly that if her

405
00:24:31,680 --> 00:24:34,880
daughter had gone to Cooper, she
believes Para would still be

406
00:24:34,880 --> 00:24:38,160
here.
That belief is not a side note.

407
00:24:38,640 --> 00:24:40,920
It is one of the central pillars
of her grief.

408
00:24:41,520 --> 00:24:44,160
It is one of the central pillars
of her accusation.

409
00:24:44,840 --> 00:24:48,240
Because once the decision is
made, everything that follows is

410
00:24:48,240 --> 00:24:51,240
attached to it.
The ambulance does not just

411
00:24:51,240 --> 00:24:54,080
carry her daughter to a
hospital, It carries her

412
00:24:54,080 --> 00:24:57,880
daughter toward the place Sophia
now stands outside, accusing in

413
00:24:57,880 --> 00:25:00,960
public.
That is why this part matters so

414
00:25:00,960 --> 00:25:03,640
much.
The route matters, The

415
00:25:03,640 --> 00:25:06,920
destination matters.
The hospital choice matters.

416
00:25:08,280 --> 00:25:12,760
Sophia says Para was placed in
the ambulance and from there all

417
00:25:12,760 --> 00:25:16,280
a mother can do is some
combination of watch, pray and

418
00:25:16,280 --> 00:25:18,680
try not to let her own fear
swallow the room.

419
00:25:19,640 --> 00:25:22,000
There's a special kind of
helplessness in following an

420
00:25:22,000 --> 00:25:26,280
ambulance carrying your child.
You are moving physically, but

421
00:25:26,280 --> 00:25:28,520
emotionally everything is
suspended.

422
00:25:28,920 --> 00:25:32,640
You do not know how bad it is.
You do not know who is ready for

423
00:25:32,640 --> 00:25:36,120
her when she arrives.
You do not know whether the

424
00:25:36,120 --> 00:25:39,840
urgency you are feeling in your
own body is going to be matched

425
00:25:39,840 --> 00:25:42,680
on the other side of those
emergency room doors.

426
00:25:43,560 --> 00:25:47,480
And in a story like this, those
questions start burning before

427
00:25:47,480 --> 00:25:49,800
the hospital has even fully
entered the frame.

428
00:25:50,680 --> 00:25:54,200
Because remember, this is not a
family walking into a system

429
00:25:54,200 --> 00:25:57,280
they fully trust.
This is a family already

430
00:25:57,280 --> 00:26:01,320
carrying prior experiences,
already carrying caution,

431
00:26:01,840 --> 00:26:04,800
already carrying the memory of
being made to feel like their

432
00:26:04,800 --> 00:26:08,040
pain might be interpreted
through suspicion instead of

433
00:26:08,040 --> 00:26:10,080
care.
That matters.

434
00:26:10,640 --> 00:26:14,400
It matters because once they get
to Virtua Mount Holly, Sophia

435
00:26:14,400 --> 00:26:16,920
says the feeling in the room
does not reassure her.

436
00:26:17,640 --> 00:26:20,800
It does not calm her.
It does not tell her your

437
00:26:20,800 --> 00:26:23,720
daughter is in the right hands
and people are moving with the

438
00:26:23,720 --> 00:26:28,640
urgency this crisis requires.
It does the opposite and that is

439
00:26:28,640 --> 00:26:31,760
where the story starts moving
from medical emergency into

440
00:26:31,760 --> 00:26:36,040
allegation because according to
Sophia, when they arrived at

441
00:26:36,040 --> 00:26:39,120
Virtua Mount Holly, she was not
brought straight back with her

442
00:26:39,120 --> 00:26:42,000
daughter.
She says she was told to wait in

443
00:26:42,000 --> 00:26:44,480
the waiting room.
Just sit with that.

444
00:26:45,000 --> 00:26:46,720
Your daughter is struggling to
breathe.

445
00:26:47,200 --> 00:26:50,600
You have seen blood.
You have told responders what

446
00:26:50,600 --> 00:26:52,920
happened.
You have followed her to the

447
00:26:52,920 --> 00:26:57,160
hospital in terror, and now,
instead of being brought into a

448
00:26:57,160 --> 00:27:01,280
scene of clear urgency, you are
separated from her and left to

449
00:27:01,280 --> 00:27:03,960
wait.
That is where the emotional

450
00:27:03,960 --> 00:27:07,400
violence of hospital time
begins, because waiting in a

451
00:27:07,400 --> 00:27:12,040
moment like that is not passive.
Waiting becomes its own kind of

452
00:27:12,040 --> 00:27:14,760
torment.
Waiting means you do not know

453
00:27:14,760 --> 00:27:18,040
who is watching her.
You do not know what decisions

454
00:27:18,040 --> 00:27:20,960
are being made.
You do not know whether what you

455
00:27:20,960 --> 00:27:25,000
saw in the house is being
understood with the seriousness

456
00:27:25,000 --> 00:27:28,240
it deserves.
You do not know whether the

457
00:27:28,240 --> 00:27:31,440
people responsible for your
daughter's life are moving fast

458
00:27:31,440 --> 00:27:33,600
enough.
And when the crisis is

459
00:27:33,600 --> 00:27:38,560
breathing, every minute starts
to feel like a theft, Sophia

460
00:27:38,560 --> 00:27:39,720
says.
Time passed.

461
00:27:40,200 --> 00:27:43,880
Not 5 frantic blur like minutes
time.

462
00:27:44,720 --> 00:27:47,680
Enough time for the waiting room
to become a place of dread.

463
00:27:48,320 --> 00:27:50,840
Enough time for fear to sharpen
into anger.

464
00:27:51,400 --> 00:27:54,720
Enough time for a mother to feel
like the obvious emergency in

465
00:27:54,720 --> 00:27:58,560
her body is somehow not being
matched by the institution she

466
00:27:58,560 --> 00:28:00,400
has just turned her daughter
over to.

467
00:28:01,840 --> 00:28:05,880
By the time she was finally
brought back, Sophia says it was

468
00:28:05,880 --> 00:28:09,680
around 3:30 in the morning.
And what she says she saw when

469
00:28:09,680 --> 00:28:12,080
she got back there changed
everything.

470
00:28:13,120 --> 00:28:17,600
Para had soiled herself.
Her breathing was worse, and in

471
00:28:17,600 --> 00:28:20,880
Sophia's eyes, the room did not
look like a room meeting a

472
00:28:20,880 --> 00:28:23,200
respiratory emergency with
urgency.

473
00:28:24,120 --> 00:28:27,000
That is where the hospital
timeline begins to harden into

474
00:28:27,000 --> 00:28:30,760
something much more serious.
Because from that point forward,

475
00:28:31,160 --> 00:28:33,240
Sophia is no longer just
frightened.

476
00:28:34,120 --> 00:28:38,280
She is observing, recording,
judging the room against what

477
00:28:38,280 --> 00:28:40,720
she believes a room like that
should be doing.

478
00:28:41,680 --> 00:28:45,440
And the deeper you go into what
she says happened next, the more

479
00:28:45,440 --> 00:28:48,920
this story stops sounding like a
simple tragedy and starts

480
00:28:48,920 --> 00:28:51,960
sounding like a mother building
the case for why she believes

481
00:28:51,960 --> 00:28:53,920
Virtua Mount Holly failed her
daughter.

482
00:28:54,800 --> 00:28:57,920
And according to Sophia, the
next thing she saw only made

483
00:28:57,920 --> 00:29:01,720
that belief stronger.
Because what she says she walked

484
00:29:01,720 --> 00:29:05,800
back into was not a room moving
with the speed of a respiratory

485
00:29:05,800 --> 00:29:09,200
emergency.
It was a room that, in her eyes,

486
00:29:09,480 --> 00:29:12,520
felt disconnected from the
danger unfolding right in front

487
00:29:12,520 --> 00:29:14,960
of it.
Sophia says that when she was

488
00:29:14,960 --> 00:29:17,880
finally brought back, Para had
soiled herself.

489
00:29:18,760 --> 00:29:22,800
Her breathing was worse.
And that detail is not small.

490
00:29:23,200 --> 00:29:27,600
It tells you how much time in
Sophia's mind had already passed

491
00:29:27,600 --> 00:29:30,440
without the kind of intervention
she believed should have come

492
00:29:30,440 --> 00:29:33,560
sooner.
It tells you the body was still

493
00:29:33,560 --> 00:29:37,120
working, still struggling, still
trying to hold on, while the

494
00:29:37,120 --> 00:29:40,960
room around it did not yet look
to her like a room in full

495
00:29:40,960 --> 00:29:44,320
emergency mode.
She says there was oxygen in her

496
00:29:44,320 --> 00:29:46,840
daughter's nose, but that was
it.

497
00:29:47,720 --> 00:29:51,320
Not the kind of escalation she
expected, not the kind of

498
00:29:51,320 --> 00:29:53,680
response she believed the moment
called for.

499
00:29:54,440 --> 00:29:56,880
Just oxygen in the nose while
her daughter was still

500
00:29:56,880 --> 00:30:00,880
struggling to breathe.
Sophia says no antibiotics had

501
00:30:00,880 --> 00:30:03,640
been started.
And she says that mattered to

502
00:30:03,640 --> 00:30:07,800
her because by that point, in
her mind, the picture was

503
00:30:07,800 --> 00:30:10,840
already serious enough that
waiting felt dangerous.

504
00:30:11,760 --> 00:30:15,480
Then she notices something else.
Blood that had been drawn from

505
00:30:15,480 --> 00:30:17,280
her daughter was sitting on a
table.

506
00:30:17,960 --> 00:30:22,240
Cultures had been taken.
But according to Sophia, it

507
00:30:22,240 --> 00:30:25,960
looked like those samples were
just sitting there, not moving,

508
00:30:26,160 --> 00:30:29,960
not producing action, not
setting off the level of urgency

509
00:30:29,960 --> 00:30:31,560
she believed should have
followed.

510
00:30:32,640 --> 00:30:35,080
Now, somebody listening to this
might hear those details and

511
00:30:35,080 --> 00:30:38,560
think maybe that is just what
chaos looks like in a hospital

512
00:30:38,560 --> 00:30:40,920
room.
Maybe that is just what a

513
00:30:40,920 --> 00:30:43,400
frightened mother sees in the
middle of crisis.

514
00:30:44,200 --> 00:30:47,960
But what makes Sophia's account
harder to wave away is the way

515
00:30:47,960 --> 00:30:52,800
she remembers the sequence, the
order, the pacing, the feeling

516
00:30:52,800 --> 00:30:56,040
that the room was moving around
smaller concerns while her

517
00:30:56,040 --> 00:30:58,240
daughter's breathing was the
thing that should have been

518
00:30:58,240 --> 00:31:01,760
commanding everything.
Sophia told our show's

519
00:31:01,760 --> 00:31:05,800
investigator and producer JC
Reedberg that the doctor came in

520
00:31:05,800 --> 00:31:09,440
talking about a CAT scan,
talking about kidney stones,

521
00:31:09,760 --> 00:31:11,800
talking about kidney levels
being high.

522
00:31:12,360 --> 00:31:16,640
And in Sophia's mind, all of
that may have been real, all of

523
00:31:16,640 --> 00:31:20,200
that may have belonged somewhere
in the medical picture, but none

524
00:31:20,200 --> 00:31:22,560
of it matched the emergency she
was staring at.

525
00:31:23,520 --> 00:31:25,280
Her daughter was struggling to
breathe.

526
00:31:26,160 --> 00:31:29,560
That was the emergency.
That was the thing she says the

527
00:31:29,560 --> 00:31:32,080
room was not treating with the
urgency it deserved.

528
00:31:33,080 --> 00:31:35,600
And this is where the story
begins tightening around one of

529
00:31:35,600 --> 00:31:39,680
its most important questions.
Not whether Para was sick.

530
00:31:40,240 --> 00:31:43,720
Everyone knew she was sick.
Not whether Para had underlying

531
00:31:43,720 --> 00:31:46,280
conditions.
Everyone knew she did.

532
00:31:47,000 --> 00:31:49,680
The question is whether the
people in that room recognized

533
00:31:49,680 --> 00:31:53,400
how fast the situation was
turning and moved accordingly,

534
00:31:53,920 --> 00:31:56,480
because, according to Sophia,
they did not.

535
00:31:57,320 --> 00:32:00,080
Then the doctor ordered a CPAP
machine.

536
00:32:00,640 --> 00:32:04,640
And for Sophia, this is one of
the sharpest edges in the entire

537
00:32:04,640 --> 00:32:08,680
case, because she believes that
should have happened much

538
00:32:08,680 --> 00:32:10,640
earlier.
Not later.

539
00:32:10,960 --> 00:32:13,760
Not after the room had already
spent all that time moving too

540
00:32:13,760 --> 00:32:17,000
slowly for her comfort.
Not after her daughter's

541
00:32:17,000 --> 00:32:19,720
breathing had worsened.
Not after the waiting room.

542
00:32:20,160 --> 00:32:22,000
Not after the oxygen in the
nose.

543
00:32:22,480 --> 00:32:25,640
Not after the samples sitting
there earlier.

544
00:32:26,480 --> 00:32:28,960
That is what Sophia believes
earlier.

545
00:32:29,800 --> 00:32:33,000
And if you listen closely to the
way she tells it, you hear

546
00:32:33,000 --> 00:32:35,080
something deeper than
disagreement.

547
00:32:35,840 --> 00:32:39,120
You hear a mother constructing
the exact timeline of the moment

548
00:32:39,120 --> 00:32:41,840
she believes the hospital began
losing her daughter.

549
00:32:42,720 --> 00:32:45,760
She says Para had been left
fighting for air for hours.

550
00:32:46,160 --> 00:32:49,600
That is the family's phrase,
left fighting for air.

551
00:32:49,960 --> 00:32:54,080
And then, according to Sophia,
at around 5:55 in the morning,

552
00:32:54,320 --> 00:32:59,760
the CPAP was finally put on that
time matters.

553
00:33:00,040 --> 00:33:03,160
The timing matters, because
timing is the backbone of

554
00:33:03,160 --> 00:33:06,320
Sophia's whole account.
The difference between moving

555
00:33:06,320 --> 00:33:09,920
now and moving later, The
difference between urgent care

556
00:33:09,920 --> 00:33:13,000
and delayed care.
The difference between a body

557
00:33:13,000 --> 00:33:17,040
being met where it is and a body
falling further into crisis

558
00:33:17,040 --> 00:33:20,920
while the room catches up too
slowly, Sophia says.

559
00:33:20,920 --> 00:33:25,240
The mask goes on, and almost
immediately, something feels

560
00:33:25,240 --> 00:33:27,920
wrong.
This is the moment that sits at

561
00:33:27,920 --> 00:33:31,600
the center of everything, the
moment this entire story keeps

562
00:33:31,600 --> 00:33:36,240
circling back to.
The mask goes on and Para starts

563
00:33:36,240 --> 00:33:40,760
tugging at it, pulling at it,
trying to get it off, trying to

564
00:33:40,760 --> 00:33:44,640
communicate something, trying to
tell the people around her that

565
00:33:44,640 --> 00:33:48,120
this does not feel right, Trying
to tell her mother that this

566
00:33:48,120 --> 00:33:51,400
does not feel right.
And then she says the words that

567
00:33:51,400 --> 00:33:54,920
now live in Sophia's mind like a
permanent wound.

568
00:33:55,880 --> 00:34:01,720
Mom, this is way too much air
that Sophia says was the last

569
00:34:01,720 --> 00:34:03,200
thing her daughter ever said to
her.

570
00:34:03,720 --> 00:34:07,040
Just sit with that.
Not a goodbye, not a final

571
00:34:07,040 --> 00:34:10,800
message of love, not some
cinematic last sentence that

572
00:34:10,800 --> 00:34:13,120
ties the knight into a neat
emotional knot.

573
00:34:13,960 --> 00:34:16,960
A distress signal, a complaint,
A plea.

574
00:34:17,440 --> 00:34:20,080
A young woman telling her mother
that whatever is happening to

575
00:34:20,080 --> 00:34:22,040
her body in that moment feels
wrong.

576
00:34:22,880 --> 00:34:27,760
Mom, this is way too much air.
And from there, everything

577
00:34:27,760 --> 00:34:31,679
begins to collapse.
Sophia says Para's heart rate

578
00:34:31,679 --> 00:34:36,520
had been up around 1:33.
Then it dropped, dropped all the

579
00:34:36,520 --> 00:34:40,440
way down to 47.
And once that happens, the room

580
00:34:40,440 --> 00:34:42,920
changes from dangerous to
catastrophic.

581
00:34:43,880 --> 00:34:47,560
Now the body is crashing.
Now the room is moving.

582
00:34:47,920 --> 00:34:50,480
Now the fear that had been
building becomes visible.

583
00:34:51,280 --> 00:34:54,120
Now the thing Sophia had been
dreading is right there in front

584
00:34:54,120 --> 00:34:56,960
of her.
She says she started screaming,

585
00:34:57,840 --> 00:35:00,920
asking what happened to her
daughter's heart rate, asking

586
00:35:00,920 --> 00:35:04,640
why they were not doing more,
asking why they were not acting

587
00:35:04,640 --> 00:35:07,960
faster.
And in that moment, the question

588
00:35:07,960 --> 00:35:10,080
stopped being clinical and
become primal.

589
00:35:10,800 --> 00:35:14,560
What is happening to my child?
Why is this happening right now?

590
00:35:15,240 --> 00:35:17,960
Why does it feel like everybody
is still a beat behind what her

591
00:35:17,960 --> 00:35:21,800
body is telling you?
Sophia says staff were shaking

592
00:35:21,800 --> 00:35:24,680
para telling her to say
something to her mother.

593
00:35:25,280 --> 00:35:28,240
And as the scene grows more
frantic, one question gets

594
00:35:28,240 --> 00:35:30,400
louder and louder in Sophia's
mind.

595
00:35:31,280 --> 00:35:33,680
Why is nobody starting CPR right
now?

596
00:35:34,280 --> 00:35:37,920
That is an important line
because it tells you exactly

597
00:35:37,920 --> 00:35:40,120
where Sophia believes the room
was failing.

598
00:35:40,960 --> 00:35:44,800
Not just in treatment, in
timing, not just in decision

599
00:35:44,800 --> 00:35:48,480
making, in urgency.
And then comes one of the

600
00:35:48,480 --> 00:35:50,800
hardest images in the entire
story.

601
00:35:51,320 --> 00:35:54,520
Sophia says that while Para was
trying to pull at the mask,

602
00:35:54,800 --> 00:35:59,200
staff put restraints on her
arms, restrained her, held her

603
00:35:59,200 --> 00:36:01,960
there.
And according to Sophia, this

604
00:36:01,960 --> 00:36:04,040
was happening while her
daughter's body was already

605
00:36:04,040 --> 00:36:07,040
collapsing.
That detail changes the

606
00:36:07,040 --> 00:36:10,920
emotional temperature of the
whole scene, because now the

607
00:36:10,920 --> 00:36:13,800
listener is not just imagining a
patient in crisis.

608
00:36:14,360 --> 00:36:17,240
Now the listener is imagining a
woman in distress trying to

609
00:36:17,240 --> 00:36:21,160
signal that something feels
wrong and being restrained while

610
00:36:21,160 --> 00:36:25,360
the room still has not, in
Sophia's view, fully met the

611
00:36:25,360 --> 00:36:29,080
danger.
A woman trying to pull away, a

612
00:36:29,080 --> 00:36:32,960
mother watching a room full of
professionals and still,

613
00:36:32,960 --> 00:36:35,800
according to Sophia, not the
right urgency.

614
00:36:36,520 --> 00:36:39,680
Then para coded.
And this is where hospital

615
00:36:39,680 --> 00:36:43,000
language can hide the violence
of what actually happened if you

616
00:36:43,000 --> 00:36:46,720
let it stay abstract.
Because coded can sound small if

617
00:36:46,720 --> 00:36:50,360
you have never seen it.
It can sound like 1 clean word,

618
00:36:50,520 --> 00:36:53,680
1 clinical phrase, one sterile
line in a chart.

619
00:36:55,160 --> 00:36:58,600
But the way Sophia explained it
to JC Reedberg strips that

620
00:36:58,600 --> 00:37:02,480
distance away.
When Sophia says para coded 4

621
00:37:02,480 --> 00:37:06,400
times, what she means is this.
Her daughter's heart stopped.

622
00:37:06,880 --> 00:37:10,360
They tried to bring her back.
Her heart stopped again.

623
00:37:11,040 --> 00:37:15,080
They tried to bring her back
again, and again and again.

624
00:37:15,440 --> 00:37:18,640
Four times.
That is what coded meant in that

625
00:37:18,640 --> 00:37:23,520
room.
It meant crash, CPR, revive,

626
00:37:23,720 --> 00:37:31,080
crash, CPR, revive, crash again,
Hands moving, machines sounding,

627
00:37:31,360 --> 00:37:34,440
panic rising.
A mother being forced to watch

628
00:37:34,440 --> 00:37:37,360
her daughter move in and out of
death more than once.

629
00:37:38,080 --> 00:37:41,000
That is not a term.
That is not a chart entry.

630
00:37:41,560 --> 00:37:45,400
That is a horror sequence, and
because Sophia explains it that

631
00:37:45,400 --> 00:37:49,080
way, the listener cannot hide
behind hospital language either.

632
00:37:49,720 --> 00:37:54,080
You have to face what it means.
A heart stopped and they fought

633
00:37:54,080 --> 00:37:58,120
to bring it back.
Then it stopped again, and they

634
00:37:58,120 --> 00:38:02,880
fought again, then again, then
again four times.

635
00:38:03,520 --> 00:38:05,880
By now, the room is no longer a
place of treatment.

636
00:38:06,160 --> 00:38:09,960
It is a place of collapse, a
place where hope and terror are

637
00:38:09,960 --> 00:38:14,240
both happening at once, a place
where every successful revival

638
00:38:14,240 --> 00:38:17,520
only opens the possibility of
losing her again seconds later.

639
00:38:18,280 --> 00:38:21,720
And somewhere inside all of
that, a mother is still trying

640
00:38:21,720 --> 00:38:25,920
to make sense of sequence, still
trying to track what was done,

641
00:38:26,320 --> 00:38:30,800
what was not done, what came too
late, what should have happened

642
00:38:30,800 --> 00:38:36,320
sooner, what the mask did, what
the restraints meant, why the

643
00:38:36,320 --> 00:38:40,360
room did not feel right, why her
daughter said the air was too

644
00:38:40,360 --> 00:38:43,760
much, why everything seemed to
break apart the moment that

645
00:38:43,760 --> 00:38:48,000
machine was put on.
That is how trauma works, even

646
00:38:48,000 --> 00:38:50,480
in catastrophe.
The mind starts building its own

647
00:38:50,480 --> 00:38:53,280
evidence file.
It starts grabbing details,

648
00:38:53,280 --> 00:38:56,200
because details are all you have
when the person you love is

649
00:38:56,200 --> 00:38:57,760
slipping out of reach in front
of you.

650
00:38:59,120 --> 00:39:01,920
Sophia says after this, they
took her out of the room.

651
00:39:02,560 --> 00:39:06,480
And that is its own kind of
violence, too, because now the

652
00:39:06,480 --> 00:39:09,800
mother is no longer even in the
immediate scene of the fight.

653
00:39:10,760 --> 00:39:15,960
Now she is outside it, waiting
again, listening again, trying

654
00:39:15,960 --> 00:39:19,240
to hold herself together while
her daughter's life is in other

655
00:39:19,240 --> 00:39:23,640
people's hands.
She called her mother, called

656
00:39:23,640 --> 00:39:27,520
her father, told them to come.
Those are the kinds of calls

657
00:39:27,520 --> 00:39:31,280
people never forget making.
Those are the kinds of calls

658
00:39:31,280 --> 00:39:34,280
that divide a life into before
and after.

659
00:39:35,240 --> 00:39:38,880
Come.
Now something is terribly wrong.

660
00:39:40,200 --> 00:39:43,680
And somewhere in all of that
terror, there is still no clear

661
00:39:43,680 --> 00:39:46,640
answer to the question at the
center of Sophia's grief.

662
00:39:47,640 --> 00:39:51,240
How did it get this bad?
How did her daughter go from

663
00:39:51,240 --> 00:39:55,640
breathing in distress, to saying
the air was too much, to being

664
00:39:55,640 --> 00:40:00,120
restrained, to coding again and
again inside a hospital room

665
00:40:00,400 --> 00:40:02,120
that was supposed to be saving
her?

666
00:40:02,920 --> 00:40:05,320
That is the question this
section leaves hanging.

667
00:40:06,120 --> 00:40:09,800
Because according to Sophia,
what came next only deepened her

668
00:40:09,800 --> 00:40:13,880
belief that they had taken too
long, moved too slowly, and

669
00:40:13,880 --> 00:40:16,280
failed to meet the crisis the
way they should have.

670
00:40:17,120 --> 00:40:20,160
And once you hear what she says
happened after the codes, the

671
00:40:20,160 --> 00:40:24,400
brain doctor, the swelling, the
death certificate, the picture

672
00:40:24,400 --> 00:40:28,720
becomes even harder to ignore.
According to Sophia, after the

673
00:40:28,720 --> 00:40:30,480
codes, they took her out of the
room.

674
00:40:31,040 --> 00:40:35,200
That matters because once you
are removed from the scene, you

675
00:40:35,200 --> 00:40:40,960
are left with only fragments,
sound, delay, fear, whatever

676
00:40:40,960 --> 00:40:43,120
somebody chooses to come back
and tell you.

677
00:40:44,080 --> 00:40:48,360
And when the person you love has
just coded more than once, every

678
00:40:48,360 --> 00:40:53,520
second outside that room becomes
its own kind of torture, Sophia

679
00:40:53,520 --> 00:40:57,040
says she called her mother,
called her father, told them to

680
00:40:57,040 --> 00:40:59,360
come.
Those are not ordinary phone

681
00:40:59,360 --> 00:41:01,760
calls.
Those are life splitting phone

682
00:41:01,760 --> 00:41:04,320
calls.
Those are the calls people make

683
00:41:04,320 --> 00:41:07,760
when they can feel the world
changing under their feet and

684
00:41:07,760 --> 00:41:10,400
there is no language big enough
for what is happening.

685
00:41:11,720 --> 00:41:14,760
Then, according to Sophia, a
nurse came back and said they

686
00:41:14,760 --> 00:41:18,080
had gotten Peres heart back and
we're taking her to ICU.

687
00:41:18,840 --> 00:41:21,760
By that point, Sophia says they
had put a tube down her

688
00:41:21,760 --> 00:41:26,000
daughter's throat.
And even in that moment, even in

689
00:41:26,000 --> 00:41:28,960
the middle of terror, the story
was still shifting.

690
00:41:29,920 --> 00:41:34,000
Because once a breathing crisis
becomes intubation, once a body

691
00:41:34,000 --> 00:41:38,560
starts coding and being pulled
back, once ICU enters the

692
00:41:38,560 --> 00:41:42,200
picture, the room is no longer
pretending this is minor.

693
00:41:43,080 --> 00:41:45,080
Now everybody understands the
stakes.

694
00:41:45,480 --> 00:41:49,000
Now the language changes.
Now the tone changes.

695
00:41:49,720 --> 00:41:52,400
Now the body has crossed into a
different level of danger.

696
00:41:53,800 --> 00:41:56,920
Then, Sophia says a doctor
introduced himself as the brain

697
00:41:56,920 --> 00:42:01,480
doctor, and she remembers that
because it frightened her, not

698
00:42:01,480 --> 00:42:04,720
because the phrase was
technical, because the phrase

699
00:42:04,720 --> 00:42:07,720
meant something.
It meant they were worried about

700
00:42:07,720 --> 00:42:11,880
her daughter's brain, worried
about oxygen, worried about

701
00:42:11,880 --> 00:42:15,360
time, worried about what had
happened while her body was

702
00:42:15,360 --> 00:42:18,800
struggling to breathe and then
crashing in front of them.

703
00:42:19,920 --> 00:42:22,680
He told her it was too soon to
know how much the brain had been

704
00:42:22,680 --> 00:42:26,480
affected, too soon to say, too
soon to tell.

705
00:42:27,360 --> 00:42:30,240
But when a doctor starts talking
to a mother about the brain

706
00:42:30,240 --> 00:42:33,760
after her daughter has coded
repeatedly, there is nothing

707
00:42:33,760 --> 00:42:38,000
small about that conversation.
It means the crisis has already

708
00:42:38,000 --> 00:42:41,640
crossed another line.
It means the danger is no longer

709
00:42:41,640 --> 00:42:44,320
just the lungs, no longer just
the heart.

710
00:42:45,560 --> 00:42:48,520
Now the question is what the
lack of oxygen may have done

711
00:42:48,520 --> 00:42:52,200
everywhere else.
Sophia says later they were told

712
00:42:52,200 --> 00:42:54,080
there was swelling in her
daughter's brain.

713
00:42:55,000 --> 00:42:58,400
And to Sophia, that detail did
not feel random.

714
00:42:59,240 --> 00:43:02,720
It felt like confirmation.
Confirmation of what she had

715
00:43:02,720 --> 00:43:06,720
already begun believing in real
time that they took too long.

716
00:43:07,360 --> 00:43:11,360
Too long to respond the right
way, Too long to move with the

717
00:43:11,360 --> 00:43:16,400
urgency the moment required.
Too long to start CPR, Too long

718
00:43:16,400 --> 00:43:18,800
to save the oxygen her
daughter's brain needed.

719
00:43:19,560 --> 00:43:23,480
That is how Sophia understands
the sequence, and once you hear

720
00:43:23,480 --> 00:43:26,760
it laid out that way, you begin
to understand that her grief is

721
00:43:26,760 --> 00:43:29,320
not shapeless.
It is not vague.

722
00:43:29,880 --> 00:43:32,240
It is not just rage looking for
a target.

723
00:43:32,680 --> 00:43:36,360
Her grief has a timeline, a
sequence, a structure.

724
00:43:36,880 --> 00:43:41,080
In her mind, the order matters.
The delay matters.

725
00:43:41,920 --> 00:43:44,440
The mask matters.
The restraints matter.

726
00:43:44,960 --> 00:43:48,680
The drop in heart rate matters.
The swelling matters.

727
00:43:49,160 --> 00:43:53,120
Every piece belongs to the same
story, and that story in

728
00:43:53,120 --> 00:43:55,400
Sophia's telling has one
conclusion.

729
00:43:56,200 --> 00:43:59,880
Her daughter was failed.
Now this is where people usually

730
00:43:59,880 --> 00:44:02,000
start getting cautious in the
wrong way.

731
00:44:02,720 --> 00:44:05,360
This is where people start
backing away from the center of

732
00:44:05,360 --> 00:44:09,000
a mother's accusation because
the accusation is too serious to

733
00:44:09,000 --> 00:44:12,400
sit with comfortably.
But Sophia is not uncertain

734
00:44:12,400 --> 00:44:15,480
about what she believes.
She does not believe this was

735
00:44:15,480 --> 00:44:18,600
simply lupus.
She does not believe this was

736
00:44:18,600 --> 00:44:22,720
just nature taking its course.
She says the doctors told her

737
00:44:22,720 --> 00:44:25,680
pneumonia was part of what was
happening, and she does not

738
00:44:25,680 --> 00:44:28,840
reject that.
But she rejects the idea that

739
00:44:28,840 --> 00:44:33,400
pneumonia or lupus by themselves
explain everything she saw.

740
00:44:34,440 --> 00:44:37,240
Because what she is describing
is not just illness.

741
00:44:37,800 --> 00:44:40,760
It is delay.
It is a room she says was not

742
00:44:40,760 --> 00:44:42,440
matching the crisis in front of
it.

743
00:44:43,000 --> 00:44:45,720
It is a young woman saying the
air is too much and then

744
00:44:45,720 --> 00:44:47,800
crashing almost immediately
after.

745
00:44:48,280 --> 00:44:51,800
It is a mother screaming for
people to move faster, it is a

746
00:44:51,800 --> 00:44:55,800
daughter coding 4 times, and it
is a brain swelling after the

747
00:44:55,800 --> 00:44:59,400
fact.
That is why Sophia does not hear

748
00:44:59,400 --> 00:45:01,680
this story as simple medical
tragedy.

749
00:45:02,280 --> 00:45:06,000
She hears it as fatal failure.
And there is something else that

750
00:45:06,000 --> 00:45:08,520
makes Sophia's conviction harder
to dismiss.

751
00:45:09,280 --> 00:45:11,840
She says Para's death
certificate lists shock and

752
00:45:11,840 --> 00:45:14,080
acute respiratory failure with
hypoxia.

753
00:45:14,840 --> 00:45:17,360
In her mind, that does not quiet
the questions.

754
00:45:18,080 --> 00:45:20,760
It deepens them.
Those words matter.

755
00:45:21,480 --> 00:45:24,280
Not because a death certificate
can tell you every emotional

756
00:45:24,280 --> 00:45:27,520
truth of a room.
Not because a death certificate

757
00:45:27,520 --> 00:45:30,600
can replay the exact second a
mother heard her daughter say

758
00:45:30,600 --> 00:45:34,320
the air was too much.
But because when you place what

759
00:45:34,320 --> 00:45:37,600
Sophia says is listed on that
death certificate beside what

760
00:45:37,600 --> 00:45:41,240
she remembers from that room, it
does not settle the story.

761
00:45:41,920 --> 00:45:44,560
It sharpens it.
It gives clinical language to

762
00:45:44,560 --> 00:45:48,160
what she says she witnessed, a
body sent into crisis.

763
00:45:48,560 --> 00:45:52,440
A body deprived of oxygen.
Not because a death certificate

764
00:45:52,440 --> 00:45:54,880
can tell you every emotional
truth of a room.

765
00:45:55,640 --> 00:45:58,720
Not because it can replay the
exact second a mother heard her

766
00:45:58,720 --> 00:46:00,400
daughter say the air was too
much.

767
00:46:01,120 --> 00:46:05,000
But because when you place what
Sophia says is listed there

768
00:46:05,000 --> 00:46:08,680
beside what she remembers from
that room, it does not settle

769
00:46:08,680 --> 00:46:10,880
the story.
It sharpens it.

770
00:46:11,240 --> 00:46:14,240
It gives clinical language to
what she says she witnessed.

771
00:46:14,880 --> 00:46:20,160
A body sent into crisis, a body
deprived of oxygen, a body

772
00:46:20,160 --> 00:46:23,720
collapsing in ways that went far
beyond a routine downturn in a

773
00:46:23,720 --> 00:46:27,720
chronic illness.
And that is why Sophia does not

774
00:46:27,720 --> 00:46:30,960
speak like a woman trying to
make peace with an unfortunate

775
00:46:30,960 --> 00:46:33,400
ending.
She speaks like a woman who

776
00:46:33,400 --> 00:46:36,360
believes something catastrophic
happened inside that room,

777
00:46:36,840 --> 00:46:40,360
something preventable, something
that should never have reached

778
00:46:40,360 --> 00:46:43,800
the point it reached.
And maybe that is why one line

779
00:46:43,800 --> 00:46:47,760
from the death certificate
matters so much here, because

780
00:46:47,760 --> 00:46:51,040
acute respiratory failure with
hypoxia is not abstract.

781
00:46:51,200 --> 00:46:53,720
When you have just spent the
night hearing a mother describe

782
00:46:53,720 --> 00:46:57,280
a daughter fighting for air,
hearing about shallow breathing,

783
00:46:57,800 --> 00:47:02,480
hearing about a delayed CPAP,
hearing a final sentence about

784
00:47:02,480 --> 00:47:06,640
too much air, hearing about a
heart rate collapsing, hearing

785
00:47:06,640 --> 00:47:10,720
about repeated codes once those
details are already inside you,

786
00:47:11,160 --> 00:47:14,120
the death certificate does not
read like a neutral form.

787
00:47:14,960 --> 00:47:17,600
It reads like a colder version
of the same horror.

788
00:47:18,160 --> 00:47:20,080
And Sophia carries something
else, too.

789
00:47:20,680 --> 00:47:24,800
Not just grief, not just memory,
not just accusation.

790
00:47:25,720 --> 00:47:28,360
She carries the burden of
knowing enough to watch the room

791
00:47:28,360 --> 00:47:29,920
differently than most people
would.

792
00:47:30,800 --> 00:47:33,640
Because Sophia says she worked
as a nurse in Cooper Hospital's

793
00:47:33,640 --> 00:47:37,080
emergency room for four years
before becoming disabled after

794
00:47:37,080 --> 00:47:41,400
being hit by a bus.
That detail matters not because

795
00:47:41,400 --> 00:47:44,280
it makes every conclusion she
draws automatically final.

796
00:47:44,840 --> 00:47:47,480
It does not.
But because it means she is not

797
00:47:47,480 --> 00:47:50,880
speaking as somebody totally
unfamiliar with hospital rhythm.

798
00:47:52,080 --> 00:47:55,080
She is not speaking as somebody
who has never seen an emergency

799
00:47:55,080 --> 00:47:58,440
room move fast.
She says she has seen everything

800
00:47:58,960 --> 00:48:04,000
Gunshot wounds, overdoses,
assault victims, sick children.

801
00:48:04,400 --> 00:48:08,120
Emergency after emergency after
emergency.

802
00:48:08,680 --> 00:48:12,280
So when she talks about timing,
she is not inventing a standard

803
00:48:12,280 --> 00:48:15,160
from nowhere.
When she talks about urgency,

804
00:48:15,440 --> 00:48:17,640
she is not speaking in total
ignorance.

805
00:48:18,360 --> 00:48:21,360
When she talks about what should
have happened sooner, she is

806
00:48:21,360 --> 00:48:24,760
speaking as a woman who says she
has spent time inside that kind

807
00:48:24,760 --> 00:48:27,640
of system.
A woman who knows what it feels

808
00:48:27,640 --> 00:48:30,720
like when a room is moving
correctly and knows what it

809
00:48:30,720 --> 00:48:33,840
feels like when it is not.
That does not mean every

810
00:48:33,840 --> 00:48:37,600
conclusion she makes is beyond
challenge, but it does mean her

811
00:48:37,600 --> 00:48:39,760
testimony carries a different
kind of weight.

812
00:48:40,720 --> 00:48:43,600
Because now the listener is not
just hearing a grieving mother

813
00:48:43,600 --> 00:48:48,200
say something felt wrong.
The listener is hearing a

814
00:48:48,200 --> 00:48:52,320
grieving mother with emergency
room experience say the sequence

815
00:48:52,320 --> 00:48:56,680
was wrong, the response was
wrong, the urgency was wrong.

816
00:48:56,840 --> 00:49:00,520
That is a very different thing.
And Sophia does not stop there.

817
00:49:01,000 --> 00:49:03,560
She says she knows something
about pneumonia personally

818
00:49:03,800 --> 00:49:07,760
because she has had it herself.
She says when her oxygen

819
00:49:07,760 --> 00:49:11,120
dropped, they moved quickly, put
her on breathing support,

820
00:49:11,120 --> 00:49:15,160
immediately took her to ICU
right away, started IV

821
00:49:15,240 --> 00:49:18,920
antibiotics.
That comparison matters because

822
00:49:18,920 --> 00:49:21,600
it shows how she is measuring
what happened to her daughter,

823
00:49:22,240 --> 00:49:26,800
not just against emotion,
against experience, against what

824
00:49:26,800 --> 00:49:30,600
she says she has seen before,
against what she says happened

825
00:49:30,600 --> 00:49:32,600
when she herself was in
distress.

826
00:49:33,280 --> 00:49:35,920
And that is why she cannot
accept the pace of what happened

827
00:49:35,920 --> 00:49:39,440
to Para.
In her mind, the room had enough

828
00:49:39,440 --> 00:49:41,840
information.
They knew her daughter had

829
00:49:41,840 --> 00:49:45,320
serious underlying issues.
They knew she had lupus

830
00:49:45,320 --> 00:49:48,360
complications.
They knew she had a weak heart.

831
00:49:48,960 --> 00:49:50,600
They knew she had fluid
problems.

832
00:49:51,040 --> 00:49:52,920
They knew she was medically
fragile.

833
00:49:53,520 --> 00:49:57,640
And still, in Sophia's telling,
they did not treat her like the

834
00:49:57,640 --> 00:50:01,600
critical patient she was.
That is the heart of her claim,

835
00:50:02,360 --> 00:50:06,600
not just that Para died, but
that Para was not recognized,

836
00:50:06,760 --> 00:50:10,400
prioritized, and treated with
the seriousness her condition

837
00:50:10,400 --> 00:50:13,640
demanded.
And once you understand that,

838
00:50:14,120 --> 00:50:17,320
you also understand why Sophia's
public grief sounds the way it

839
00:50:17,320 --> 00:50:21,800
does, why it does not sound
quiet, why it does not sound

840
00:50:21,800 --> 00:50:26,000
resigned, why it does not sound
like somebody gently mourning a

841
00:50:26,000 --> 00:50:28,880
loss.
She is already accepted as fate

842
00:50:29,840 --> 00:50:32,360
because what she is describing
is not fate.

843
00:50:33,200 --> 00:50:36,880
It is a room she believes kept
missing the moment, a room she

844
00:50:36,880 --> 00:50:39,960
believes kept arriving late to
the emergency right in front of

845
00:50:39,960 --> 00:50:42,360
it.
A room she believes let her

846
00:50:42,360 --> 00:50:45,320
daughter fight too long before
truly meeting the crisis.

847
00:50:46,040 --> 00:50:48,720
That is what makes this story so
difficult to hear.

848
00:50:49,240 --> 00:50:52,200
And that is also what begins
connecting Para's case to

849
00:50:52,200 --> 00:50:54,800
something much larger than one
family's pain.

850
00:50:55,760 --> 00:50:59,240
Because once you move beyond the
room itself, once you widen the

851
00:50:59,240 --> 00:51:03,120
frame beyond Sophia's testimony,
you begin to see that her fear

852
00:51:03,120 --> 00:51:07,600
did not emerge in empty space.
It landed inside a hospital that

853
00:51:07,600 --> 00:51:09,400
already carried public
complaints.

854
00:51:10,080 --> 00:51:14,240
Complaints about communication,
Complaints about bedside manner,

855
00:51:14,600 --> 00:51:17,960
complaints about weights.
Complaints about how patients

856
00:51:17,960 --> 00:51:20,240
say they were treated when they
were most vulnerable.

857
00:51:20,960 --> 00:51:24,200
And when those public complaints
meet a story like this, the

858
00:51:24,200 --> 00:51:26,920
bigger question becomes
impossible to ignore.

859
00:51:28,160 --> 00:51:29,920
Was Para failed inside a
hospital?

860
00:51:29,920 --> 00:51:31,960
Too many people already did not
trust.

861
00:51:32,960 --> 00:51:35,440
When you start pulling back from
Sophia's account of that

862
00:51:35,440 --> 00:51:38,400
hospital room and looking at
Virtua Mount Holly in public,

863
00:51:38,760 --> 00:51:42,760
something else comes into focus.
The distrust did not begin with

864
00:51:42,760 --> 00:51:46,120
her.
That matters because one

865
00:51:46,120 --> 00:51:49,760
family's testimony is one thing.
A wider public pattern is

866
00:51:49,760 --> 00:51:53,360
something else, and when you
begin reading what patients,

867
00:51:53,360 --> 00:51:56,920
families and workers have said
about Virtua, Mount Holly and

868
00:51:56,920 --> 00:52:00,720
the larger Virtua Network, you
start hearing certain words

869
00:52:00,720 --> 00:52:05,520
repeat themselves, not always in
the same order, not always with

870
00:52:05,520 --> 00:52:08,880
the same details, but often with
the same feeling.

871
00:52:09,600 --> 00:52:13,800
Long waits, poor communication,
dismissive treatment, rude

872
00:52:13,800 --> 00:52:18,000
bedside manner, a sense of being
ignored while something serious

873
00:52:18,000 --> 00:52:21,920
is happening, a sense that the
room is not moving with the

874
00:52:21,920 --> 00:52:25,440
urgency the body is demanding.
Now.

875
00:52:25,840 --> 00:52:28,080
Public reviews are not medical
charts.

876
00:52:28,600 --> 00:52:31,400
They are not verdicts.
They are not proof of what

877
00:52:31,400 --> 00:52:34,680
happened to PARA, and it would
be dishonest to pretend they

878
00:52:34,680 --> 00:52:37,400
are.
Hospitals, like every large

879
00:52:37,400 --> 00:52:41,080
institution, have people who
leave satisfied and people who

880
00:52:41,080 --> 00:52:44,200
leave angry.
That is true almost everywhere.

881
00:52:44,720 --> 00:52:47,920
But what matters in a case like
this is not whether every review

882
00:52:47,920 --> 00:52:50,440
is bad.
It is whether the same

883
00:52:50,440 --> 00:52:53,920
complaints keep surfacing often
enough to form a pattern people

884
00:52:53,920 --> 00:52:57,080
can recognize.
And around Virtua Mount Holly,

885
00:52:57,280 --> 00:53:01,120
those complaints do repeat.
People describe emergency room

886
00:53:01,120 --> 00:53:04,720
waits that feel endless.
They describe asking for updates

887
00:53:04,720 --> 00:53:07,840
and getting very little.
They describe staff who, in

888
00:53:07,840 --> 00:53:11,480
their view, came off cold,
impatient or dismissive.

889
00:53:12,120 --> 00:53:15,200
They describe care that felt
inconsistent from one stay to

890
00:53:15,200 --> 00:53:18,720
the next, from one shift to the
next, from one nurse to the

891
00:53:18,720 --> 00:53:21,480
next.
They describe the feeling that

892
00:53:21,480 --> 00:53:25,560
if you are not loud enough,
nobody moves, and if you are too

893
00:53:25,560 --> 00:53:30,280
loud, you become a problem.
That language should sound

894
00:53:30,280 --> 00:53:34,520
familiar by now, because that is
not far from the fear Sophia

895
00:53:34,520 --> 00:53:36,960
says her daughter already
carried into hospitals.

896
00:53:37,760 --> 00:53:42,000
The fear of not being believed.
The fear of being looked at

897
00:53:42,000 --> 00:53:45,640
before being listened to.
The fear of being judged before

898
00:53:45,640 --> 00:53:48,800
being treated.
The fear that the staff in front

899
00:53:48,800 --> 00:53:53,760
of you may be evaluating your
attitude, your tone, your pain,

900
00:53:54,000 --> 00:53:58,880
your body, your worth before
they evaluate the crisis itself.

901
00:53:59,920 --> 00:54:02,680
And again, that does not prove
Para's case.

902
00:54:03,200 --> 00:54:07,560
But it does matter, because it
tells you Sophia's distrust did

903
00:54:07,560 --> 00:54:11,080
not rise in isolation.
It tells you that when she says

904
00:54:11,080 --> 00:54:14,880
what she says about Virtua Mount
Holly, her words are landing in

905
00:54:14,880 --> 00:54:18,800
a place already burdened by
public frustration, already

906
00:54:18,800 --> 00:54:22,480
burdened by stories of
communication breakdown, already

907
00:54:22,480 --> 00:54:25,520
burdened by patients who say
they left feeling unseen.

908
00:54:26,120 --> 00:54:29,720
And the story gets heavier when
you move beyond public reviews

909
00:54:29,720 --> 00:54:32,880
and into formal scrutiny,
because the criticism

910
00:54:32,880 --> 00:54:36,360
surrounding Virtua is not
limited to online complaints.

911
00:54:37,120 --> 00:54:41,360
In September of 2024, New
Jersey's attorney general filed

912
00:54:41,360 --> 00:54:44,960
A complaint against Virtua
Health and hospitals it operates

913
00:54:44,960 --> 00:54:48,440
in Mount Holly, Camden and
Voorhees, alleging

914
00:54:48,440 --> 00:54:51,880
discriminatory treatment of
pregnant patients, including

915
00:54:51,880 --> 00:54:54,000
drug testing, without informed
consent.

916
00:54:55,000 --> 00:54:58,240
Let that sit there for a second.
Not a rumor.

917
00:54:58,600 --> 00:55:02,520
Not a comment section theory.
Not a random TikTok allegation.

918
00:55:03,280 --> 00:55:06,280
A formal complaint from the
state of New Jersey alleging

919
00:55:06,280 --> 00:55:09,520
discrimination and failures
around informed consent.

920
00:55:10,400 --> 00:55:13,000
That does not mean Para's case
is the same case.

921
00:55:13,400 --> 00:55:15,920
It does not.
But it does mean the network

922
00:55:15,920 --> 00:55:19,240
that runs Virtua Mount Holly has
already faced serious public

923
00:55:19,240 --> 00:55:23,240
allegations involving unequal
treatment, vulnerable patients,

924
00:55:23,680 --> 00:55:25,960
and the question of whether
people in its care were

925
00:55:25,960 --> 00:55:28,760
respected with full dignity and
full information.

926
00:55:28,760 --> 00:55:33,720
And in stories like this, that
matters because when a mother

927
00:55:33,720 --> 00:55:37,560
says my daughter was not treated
right in that hospital and the

928
00:55:37,560 --> 00:55:40,680
larger network has already faced
allegations tied to

929
00:55:40,680 --> 00:55:45,280
discrimination and informed
consent, her accusation no

930
00:55:45,280 --> 00:55:48,240
longer sounds like it is
floating alone in empty air.

931
00:55:49,680 --> 00:55:53,280
Then there is the 2020 union
complaint involving Virtua Mount

932
00:55:53,280 --> 00:55:56,560
Holly itself, where nurses
allege that potentially

933
00:55:56,560 --> 00:55:59,840
substandard and possibly
counterfeit respirator masks

934
00:56:00,120 --> 00:56:02,280
were distributed during the
COVID crisis.

935
00:56:02,880 --> 00:56:07,040
Virtua denied that allegation.
That denial matters too.

936
00:56:07,880 --> 00:56:10,840
But so does the fact that the
complaint existed at all.

937
00:56:11,760 --> 00:56:14,720
Because what that moment reveals
is not just disagreement over

938
00:56:14,720 --> 00:56:17,560
masks.
It reveals an institution

939
00:56:17,560 --> 00:56:22,040
already sitting inside public
conflict over safety, trust and

940
00:56:22,040 --> 00:56:24,920
whether the people working and
receiving care inside that

941
00:56:24,920 --> 00:56:27,480
building were being protected
the way they should have been.

942
00:56:28,160 --> 00:56:31,200
And when you layer those things
together, the picture becomes

943
00:56:31,200 --> 00:56:34,160
more complicated than one night
and one room.

944
00:56:35,360 --> 00:56:38,600
You begin to see a hospital and
a network that have already

945
00:56:38,600 --> 00:56:42,120
faced public pressure over the
very things families worry about

946
00:56:42,120 --> 00:56:44,640
most when they hand over
somebody they love.

947
00:56:45,520 --> 00:56:51,360
Safety, communication, consent,
urgency, care, respect.

948
00:56:51,800 --> 00:56:55,480
Even Virtua's own public patient
rights language matters here

949
00:56:56,120 --> 00:56:58,760
because on paper, the promises
are clear.

950
00:56:59,440 --> 00:57:02,400
Patients are supposed to receive
care without discrimination.

951
00:57:02,960 --> 00:57:05,400
They are supposed to receive
explanations they can

952
00:57:05,400 --> 00:57:08,240
understand.
They are supposed to have their

953
00:57:08,240 --> 00:57:11,480
questions answered.
They are supposed to be treated

954
00:57:11,480 --> 00:57:14,520
with dignity.
They are supposed to have a path

955
00:57:14,520 --> 00:57:16,440
to grievance if something goes
wrong.

956
00:57:17,680 --> 00:57:21,000
That is what institutions say
when they tell the public they

957
00:57:21,000 --> 00:57:24,040
are trustworthy.
That is the language hospitals

958
00:57:24,040 --> 00:57:27,760
use when they ask families to
put their lives in their hands.

959
00:57:28,560 --> 00:57:32,040
And that is exactly why stories
like Sophia's land so hard.

960
00:57:32,760 --> 00:57:35,800
Because the pain is not only in
what she says happened.

961
00:57:36,520 --> 00:57:39,600
The pain is in the distance
between what a hospital promises

962
00:57:39,800 --> 00:57:42,320
and what a mother says she
watched with her own eyes.

963
00:57:42,840 --> 00:57:47,160
A daughter fighting for air.
A room moving too slowly.

964
00:57:47,600 --> 00:57:52,240
A mask that felt wrong.
Restraints, A crashing heart

965
00:57:52,240 --> 00:57:57,760
rate, repeated codes, a brain
swelling later, and a mother now

966
00:57:57,760 --> 00:58:01,680
standing outside the building
saying in public that something

967
00:58:01,680 --> 00:58:04,160
happened in there that should
never have happened.

968
00:58:05,040 --> 00:58:07,680
This is where the story gets
bigger than Virtua Mount Holly.

969
00:58:08,200 --> 00:58:11,680
Because once you step back far
enough, you are no longer just

970
00:58:11,680 --> 00:58:13,720
asking what kind of hospital
this is.

971
00:58:14,240 --> 00:58:17,400
You are asking what kind of
country teaches black families

972
00:58:17,720 --> 00:58:21,080
to walk into medical spaces
already braced for harm?

973
00:58:22,280 --> 00:58:25,360
What kind of history teaches a
daughter to fear hospitals

974
00:58:25,360 --> 00:58:29,400
before she is even in crisis?
What kind of accumulated

975
00:58:29,400 --> 00:58:32,400
experience makes a grieving
mother's accusation sound

976
00:58:32,400 --> 00:58:35,520
plausible to so many people the
moment they hear it?

977
00:58:36,440 --> 00:58:40,000
Because for black families,
medical mistrust did not begin

978
00:58:40,000 --> 00:58:43,120
on social media.
It did not begin with Sophia's

979
00:58:43,120 --> 00:58:45,520
video.
It did not begin with para.

980
00:58:46,040 --> 00:58:48,280
It has roots.
It has memory.

981
00:58:49,040 --> 00:58:52,680
It has history.
It lives in stories of pain

982
00:58:52,680 --> 00:58:58,240
minimized, symptoms dismissed,
questions brushed off, consent

983
00:58:58,240 --> 00:59:03,560
blurred, bodies studied, used,
doubted and mishandled.

984
00:59:04,680 --> 00:59:08,040
It lives in the everyday
language Black people pass down

985
00:59:08,040 --> 00:59:12,880
to each other about doctors,
nurses, emergency rooms, and the

986
00:59:12,880 --> 00:59:16,480
difference between what care is
supposed to feel like and what

987
00:59:16,480 --> 00:59:18,880
it too often feels like in
reality.

988
00:59:19,640 --> 00:59:23,320
That is why this story cannot be
reduced to one family simply

989
00:59:23,320 --> 00:59:27,320
struggling to accept loss.
Because one of the ugliest

990
00:59:27,320 --> 00:59:30,440
things about racial inequality
in medicine is that it trains

991
00:59:30,440 --> 00:59:33,040
people to question whether help
will come in time.

992
00:59:33,760 --> 00:59:36,640
It trains people to wonder
whether their pain will be taken

993
00:59:36,640 --> 00:59:39,680
seriously.
It trains people to look at

994
00:59:39,680 --> 00:59:43,160
delay and ask whether delay
would have looked different in

995
00:59:43,160 --> 00:59:46,080
another body.
That is the question humming

996
00:59:46,080 --> 00:59:51,000
underneath stories like this,
not always spoken directly, but

997
00:59:51,000 --> 00:59:54,000
present.
Would the room have moved faster

998
00:59:54,000 --> 00:59:56,800
for someone else?
Would the urgency have looked

999
00:59:56,800 --> 01:00:00,080
different for someone else?
Would the bedside tone have been

1000
01:00:00,080 --> 01:00:03,280
different for someone else?
Would the assumptions have been

1001
01:00:03,280 --> 01:00:07,080
different for someone else?
Those questions are not born

1002
01:00:07,080 --> 01:00:10,040
from nowhere.
They are born from repetition,

1003
01:00:10,720 --> 01:00:14,920
born from disparity, born from
too many families carrying too

1004
01:00:14,920 --> 01:00:18,680
many versions of the same wound.
And that is where Sophia's

1005
01:00:18,680 --> 01:00:21,080
testimony becomes more than
personal grief.

1006
01:00:21,720 --> 01:00:24,360
Because once she starts talking
about how Black people are

1007
01:00:24,360 --> 01:00:27,680
treated in hospitals, once she
starts talking about how her

1008
01:00:27,680 --> 01:00:30,840
daughter had been made to feel
like staff thought she was there

1009
01:00:30,840 --> 01:00:34,240
for pain medicine, once she
starts talking about needing to

1010
01:00:34,240 --> 01:00:37,480
be present, to watch, to
intervene, to make sure her

1011
01:00:37,480 --> 01:00:40,920
daughter was not dismissed, she
is no longer speaking only as

1012
01:00:40,920 --> 01:00:44,000
Para's mother.
She is speaking from a community

1013
01:00:44,000 --> 01:00:49,120
memory, a Black memory, a memory
that says the hospital is not

1014
01:00:49,120 --> 01:00:51,240
always experienced as a
sanctuary.

1015
01:00:51,920 --> 01:00:54,960
Sometimes it is experienced as a
place where you may have to

1016
01:00:54,960 --> 01:00:57,560
advocate harder to be seen as
fully human.

1017
01:00:58,640 --> 01:01:01,800
Sometimes it is experienced as a
place where your fear must

1018
01:01:01,800 --> 01:01:05,400
arrive already armed.
And maybe that is why Sophia's

1019
01:01:05,400 --> 01:01:08,640
video outside Virtua Mount Holly
struck such a nerve.

1020
01:01:09,200 --> 01:01:12,960
Because after it was posted, the
response was not only sympathy,

1021
01:01:13,400 --> 01:01:16,800
it was recognition.
People hearing her and saying, I

1022
01:01:16,800 --> 01:01:19,640
know why you're saying that.
I know why you don't trust what

1023
01:01:19,640 --> 01:01:23,040
happened in there.
I know why you're standing

1024
01:01:23,040 --> 01:01:26,040
outside that building instead of
quietly grieving at home.

1025
01:01:26,840 --> 01:01:29,760
Some people even began sharing
their own allegations about

1026
01:01:29,760 --> 01:01:33,640
neglect and improper care.
We have not independently

1027
01:01:33,640 --> 01:01:37,200
verified every one of those
accounts, but their existence

1028
01:01:37,200 --> 01:01:40,760
still means something.
It means Sophia's accusation did

1029
01:01:40,760 --> 01:01:44,280
not land in a vacuum.
It landed in a community already

1030
01:01:44,280 --> 01:01:47,400
prepared to believe that
hospital neglect, indifference,

1031
01:01:47,400 --> 01:01:50,640
or delay could be deadly.
And that is what makes this

1032
01:01:50,640 --> 01:01:54,040
story so heavy.
Because when public complaints,

1033
01:01:54,040 --> 01:01:57,520
public scrutiny, personal
testimony, and black medical

1034
01:01:57,520 --> 01:02:01,320
mistrust all begin touching the
same case, the burden on the

1035
01:02:01,320 --> 01:02:04,040
institution grows.
The questions grow.

1036
01:02:04,320 --> 01:02:08,120
The stakes grow.
The silence grows louder, and

1037
01:02:08,120 --> 01:02:10,640
that silence does not answer
Sophia's questions.

1038
01:02:11,320 --> 01:02:15,120
It leaves them where they
already were, sharp, unsettled,

1039
01:02:15,720 --> 01:02:19,480
unresolved.
What happened in that room?

1040
01:02:20,040 --> 01:02:23,400
Why did help in Sophia's telling
feel late?

1041
01:02:24,040 --> 01:02:26,960
Why did the room feel out of
sync with the crisis?

1042
01:02:27,680 --> 01:02:29,960
Why did her daughter say the air
was too much?

1043
01:02:30,440 --> 01:02:33,840
Why was she restrained?
Why did her heart keep stopping?

1044
01:02:34,440 --> 01:02:37,640
Why did the death certificate
later point to shock and acute

1045
01:02:37,640 --> 01:02:39,840
respiratory failure with
hypoxia?

1046
01:02:40,520 --> 01:02:43,880
And why, when all of that is
placed against the public record

1047
01:02:43,880 --> 01:02:47,600
surrounding Virtua Mount Holly
and the larger Virtua Network,

1048
01:02:48,080 --> 01:02:51,800
does this story become harder,
not easier, to dismiss?

1049
01:02:53,240 --> 01:02:56,640
Because in the end, that is what
deep dives like this are for.

1050
01:02:57,160 --> 01:03:01,080
Not to turn grief into gossip.
Not to turn pain into spectacle,

1051
01:03:01,640 --> 01:03:05,440
but to ask with seriousness and
without flinching, whether the

1052
01:03:05,440 --> 01:03:08,400
system did what it was supposed
to do when a black woman's life

1053
01:03:08,400 --> 01:03:11,880
depended on it.
And in Sophia Shannon's eyes,

1054
01:03:12,040 --> 01:03:14,680
the answer to that question is
devastatingly clear.

1055
01:03:15,240 --> 01:03:18,360
No.
And once you reach that point,

1056
01:03:18,600 --> 01:03:21,920
once you have sat with Sophia's
testimony, the hospital

1057
01:03:21,920 --> 01:03:26,680
timeline, the public complaints,
the wider scrutiny around Virtua

1058
01:03:27,080 --> 01:03:31,040
and the larger truth of Black
medical mistrust, the story

1059
01:03:31,040 --> 01:03:33,760
stops being only about what
happened in one room.

1060
01:03:34,640 --> 01:03:38,600
It becomes about what was taken.
Because at the center of all of

1061
01:03:38,600 --> 01:03:43,280
this, beyond the hospital,
beyond the allegations, beyond

1062
01:03:43,280 --> 01:03:46,840
the public anger, beyond the
records and the reviews and the

1063
01:03:46,840 --> 01:03:50,560
legal questions, is a child,
Ava.

1064
01:03:51,400 --> 01:03:54,480
And every time Sophia talks
about her daughter, Ava is

1065
01:03:54,480 --> 01:03:57,480
there.
Not in the background, not as an

1066
01:03:57,480 --> 01:04:01,560
emotional add on at the center.
That matters.

1067
01:04:02,440 --> 01:04:05,160
Because Para was not just loved
in the abstract.

1068
01:04:05,840 --> 01:04:08,480
She was needed.
She was needed in the daily way.

1069
01:04:08,480 --> 01:04:11,280
Mothers are needed in the
ordinary way.

1070
01:04:11,280 --> 01:04:14,560
Mothers are needed in the little
ways that never make it into

1071
01:04:14,560 --> 01:04:18,320
official records.
The rides, the conversations,

1072
01:04:18,640 --> 01:04:24,280
the time, the gifts, the
attention, the steady love, the

1073
01:04:24,280 --> 01:04:27,000
feeling a daughter gets when her
mother is still here and still

1074
01:04:27,000 --> 01:04:31,000
choosing her every day.
Sophia says Para made sure Ava

1075
01:04:31,000 --> 01:04:34,960
had what she needed and not just
materially, emotionally,

1076
01:04:35,160 --> 01:04:39,600
creatively, personally.
If Ava liked art, Para got her

1077
01:04:39,600 --> 01:04:43,320
art supplies.
If Ava needed time, Para made

1078
01:04:43,320 --> 01:04:45,720
time.
She took her to the park.

1079
01:04:46,040 --> 01:04:49,000
She bought her little things,
she fed her imagination.

1080
01:04:49,480 --> 01:04:53,000
She loved her on purpose.
And that is the part hospital

1081
01:04:53,000 --> 01:04:56,960
language can never fully hold.
A chart can say respiratory

1082
01:04:56,960 --> 01:05:01,760
failure, a record can say
cardiac arrest, a certificate

1083
01:05:01,760 --> 01:05:04,480
can say shock and acute
respiratory failure with

1084
01:05:04,480 --> 01:05:07,160
hypoxia.
But none of that language can

1085
01:05:07,160 --> 01:05:09,800
fully contain what it means for
a little girl to lose her

1086
01:05:09,800 --> 01:05:12,600
mother.
None of that language can fully

1087
01:05:12,600 --> 01:05:16,240
hold what it means for a family
to lose 1 of the people who gave

1088
01:05:16,240 --> 01:05:19,160
it rhythm.
None of that language can fully

1089
01:05:19,160 --> 01:05:22,560
hold what it means for Sophia
Shannon to now carry not only

1090
01:05:22,560 --> 01:05:26,080
grief, but a fixed and burning
belief that her daughter should

1091
01:05:26,080 --> 01:05:29,560
still be here.
Because once a mother says, I

1092
01:05:29,560 --> 01:05:32,880
watched my daughter fight for
air, you cannot reduce that to

1093
01:05:32,880 --> 01:05:36,760
paperwork.
Once a mother says, I watched

1094
01:05:36,760 --> 01:05:40,760
the room move too slowly, you
cannot reduce that to paperwork.

1095
01:05:41,560 --> 01:05:45,640
Once a mother says, my daughter
told me this is way too much air

1096
01:05:46,080 --> 01:05:48,320
and that was the last thing she
ever said to me.

1097
01:05:48,840 --> 01:05:51,080
You cannot reduce that to
paperwork.

1098
01:05:51,640 --> 01:05:54,520
And once a mother says, I
believe my child was failed in

1099
01:05:54,520 --> 01:05:58,360
that hospital, you cannot ask
the public to hear that and feel

1100
01:05:58,360 --> 01:06:00,960
nothing.
So what do we do with a story

1101
01:06:00,960 --> 01:06:04,360
like this?
What do we do when a black

1102
01:06:04,360 --> 01:06:07,400
mother stands outside a hospital
and says something the

1103
01:06:07,400 --> 01:06:10,520
institution itself does not want
to attach to its name?

1104
01:06:11,360 --> 01:06:14,520
What do we do when the public
record around that hospital

1105
01:06:14,840 --> 01:06:17,760
already contains years of
complaints about delays,

1106
01:06:17,920 --> 01:06:20,840
communication, treatment, and
trust?

1107
01:06:21,600 --> 01:06:25,080
What do we do when a direct
interview with that mother gives

1108
01:06:25,080 --> 01:06:29,880
us a timeline that is not vague,
not shapeless, not confused, but

1109
01:06:29,880 --> 01:06:33,240
painfully specific?
What do we do when the death

1110
01:06:33,240 --> 01:06:36,840
certificate deepens rather than
quiets the questions?

1111
01:06:37,960 --> 01:06:40,960
What do we do when a little girl
is left growing up without the

1112
01:06:40,960 --> 01:06:43,960
mother who was supposed to be
here first?

1113
01:06:44,200 --> 01:06:46,440
We listen.
Really listen.

1114
01:06:47,080 --> 01:06:51,520
Not politely, not passively, not
the kind of listening that lets

1115
01:06:51,520 --> 01:06:55,200
a story wash over us for a day
and disappear by the next.

1116
01:06:56,080 --> 01:06:59,560
We listen in a way that
preserves, in a way that

1117
01:06:59,560 --> 01:07:03,960
records, in a way that refuses
to let the story shrink back

1118
01:07:03,960 --> 01:07:07,480
into a quiet obituary and be
swallowed by silence.

1119
01:07:08,160 --> 01:07:10,200
Because that is what happens too
often.

1120
01:07:10,880 --> 01:07:14,120
A black woman dies.
A family screams into the

1121
01:07:14,120 --> 01:07:16,160
Internet.
A few people share it.

1122
01:07:16,760 --> 01:07:20,560
A few people say how sad it is.
And then the system waits.

1123
01:07:21,160 --> 01:07:23,680
Waits for fatigue, Waits for
distraction.

1124
01:07:24,000 --> 01:07:27,320
Waits for people to move on,
waits for grief to become

1125
01:07:27,320 --> 01:07:30,600
private again.
Sophia Shannon is refusing that.

1126
01:07:31,320 --> 01:07:35,240
She is refusing to go quiet.
And by telling this story, we

1127
01:07:35,240 --> 01:07:38,760
are refusing it too.
Sophia says she wants people to

1128
01:07:38,760 --> 01:07:43,560
remember Para as a fighter.
That is the word fighter.

1129
01:07:44,200 --> 01:07:47,880
A woman who lived with lupus.
A woman recovering from

1130
01:07:47,880 --> 01:07:51,560
amputation.
A woman trying to get stronger.

1131
01:07:52,320 --> 01:07:55,880
A woman who loved to cook.
A woman who loved to dance.

1132
01:07:56,680 --> 01:07:59,720
A woman who loved hard.
A woman who loved her daughter.

1133
01:08:00,400 --> 01:08:02,120
A woman who still wanted to be
here.

1134
01:08:02,760 --> 01:08:07,400
That is who Perdisha Para
Champion was affectionately

1135
01:08:07,400 --> 01:08:09,800
known by her parents and friends
as Para.

1136
01:08:10,720 --> 01:08:13,240
And that is why this story hurts
the way it does.

1137
01:08:14,160 --> 01:08:17,399
Not simply because she died, but
because, according to her

1138
01:08:17,399 --> 01:08:21,960
mother, she died while still
trying, still speaking, still

1139
01:08:21,960 --> 01:08:26,520
communicating, still resisting,
still telling the people around

1140
01:08:26,520 --> 01:08:29,960
her that something was wrong,
still trying to remain in her

1141
01:08:29,960 --> 01:08:33,359
own life.
That is what makes this story

1142
01:08:33,359 --> 01:08:37,080
unbearable, and that is what
makes it impossible to file away

1143
01:08:37,080 --> 01:08:41,319
neatly under inevitable loss.
This is why Sophia wants the

1144
01:08:41,319 --> 01:08:44,479
world to hear what happened.
This is why she came back to

1145
01:08:44,479 --> 01:08:47,399
Virtua Mount Holly and said what
she said in front of that

1146
01:08:47,399 --> 01:08:50,240
building.
This is why she spoke to our

1147
01:08:50,240 --> 01:08:53,000
investigator and producer JC
Reedberg.

1148
01:08:53,560 --> 01:08:56,439
This is why she wants pressure.
This is why she wants

1149
01:08:56,439 --> 01:08:59,200
accountability.
Because in her mind, this was

1150
01:08:59,200 --> 01:09:02,080
not just tragedy.
This was failure.

1151
01:09:02,520 --> 01:09:05,720
This was preventable.
This was a daughter being failed

1152
01:09:05,720 --> 01:09:08,840
inside the very place that was
supposed to keep her alive.

1153
01:09:09,800 --> 01:09:14,399
So tonight, remember her name,
Perdisha Para Champion,

1154
01:09:15,120 --> 01:09:18,120
affectionately known by her
parents and friends as Para.

1155
01:09:19,040 --> 01:09:21,760
Remember the mother who says she
watched her daughter fight for

1156
01:09:21,760 --> 01:09:23,920
breath?
Remember the sentence that will

1157
01:09:23,920 --> 01:09:29,000
not leave that room?
Mom, this is way too much air.

1158
01:09:29,359 --> 01:09:31,680
Remember what coded meant in
this story.

1159
01:09:32,800 --> 01:09:35,319
Her heart stopped, They brought
her back.

1160
01:09:36,080 --> 01:09:39,439
It stopped again.
They brought her back again,

1161
01:09:39,840 --> 01:09:46,160
again and again, four times.
Remember that her mother says

1162
01:09:46,160 --> 01:09:49,359
she was left fighting for air.
Remember that the death

1163
01:09:49,359 --> 01:09:52,640
certificate points to shock and
acute respiratory failure with

1164
01:09:52,640 --> 01:09:55,760
hypoxia.
Remember that public complaints

1165
01:09:55,760 --> 01:10:00,160
surrounding Virtua Mount Holly
have described long waits, poor

1166
01:10:00,160 --> 01:10:04,520
communication, dismissive
treatment and care that too

1167
01:10:04,520 --> 01:10:09,200
often feels inconsistent.
Remember that the larger Virtua

1168
01:10:09,200 --> 01:10:12,800
network has already faced public
scrutiny over discrimination,

1169
01:10:13,080 --> 01:10:16,920
consent and safety.
And remember that somewhere,

1170
01:10:16,920 --> 01:10:21,440
right now, a little girl named
Ava is growing up in the absence

1171
01:10:21,440 --> 01:10:23,280
of the mother who was supposed
to be here.

1172
01:10:24,120 --> 01:10:27,680
This story is not over.
The legal process is not over,

1173
01:10:28,280 --> 01:10:32,200
the questions are not over, the
grief is not over, and the

1174
01:10:32,200 --> 01:10:35,960
accountability in Sophia
Shannon's eyes has not even

1175
01:10:35,960 --> 01:10:38,880
begun.
So let me say this as clearly as

1176
01:10:38,880 --> 01:10:42,440
I can.
If you are a Black Blogger, a

1177
01:10:42,440 --> 01:10:46,880
Black podcaster, a black
journalist, a Black creator, a

1178
01:10:46,880 --> 01:10:50,680
black platform, or simply a
human being who still believes

1179
01:10:50,680 --> 01:10:54,640
justice should mean something,
support the family of Perdisha

1180
01:10:54,640 --> 01:10:57,640
Para Champion.
Share this story.

1181
01:10:57,960 --> 01:11:01,760
Share this episode.
Write about Para Talk about Para

1182
01:11:02,360 --> 01:11:06,560
Post her pictures, say her name.
Tell people what Sophia says

1183
01:11:06,560 --> 01:11:10,240
happened to her daughter.
And when you do, use the hashtag

1184
01:11:10,840 --> 01:11:15,080
Justice for Para.
Justice for para on TikTok.

1185
01:11:15,560 --> 01:11:20,160
Justice for para on Instagram.
Justice for para on YouTube.

1186
01:11:20,640 --> 01:11:25,160
Justice for para on Facebook.
Justice for para on Threads,

1187
01:11:25,560 --> 01:11:31,240
Justice for para on X, Justice
for para in blogs, Justice for

1188
01:11:31,240 --> 01:11:36,640
para in podcasts, Justice for
para in headlines, Justice for

1189
01:11:36,640 --> 01:11:39,440
para anywhere.
Human beings still have the

1190
01:11:39,440 --> 01:11:43,120
courage to care because this
beautiful young woman is gone

1191
01:11:43,120 --> 01:11:46,720
too soon and her family should
not have to carry this story

1192
01:11:46,720 --> 01:11:50,160
alone.
If you support justice, support

1193
01:11:50,160 --> 01:11:53,120
this family.
If you believe black women

1194
01:11:53,120 --> 01:11:55,840
deserve to be heard, support
this family.

1195
01:11:56,520 --> 01:11:59,560
If you believe Ava deserves
answers about what happened to

1196
01:11:59,560 --> 01:12:03,360
her mother, support this family.
Share this story.

1197
01:12:04,120 --> 01:12:08,320
Share any story about Para and
make sure the world sees the

1198
01:12:08,320 --> 01:12:13,480
words justice for Para.
If this episode moved something

1199
01:12:13,480 --> 01:12:16,680
in you, please share it.
Leave a five star review

1200
01:12:16,680 --> 01:12:20,240
wherever you listen.
Every review helps the algorithm

1201
01:12:20,240 --> 01:12:22,040
push these stories to more
people.

1202
01:12:22,680 --> 01:12:25,920
More reviews mean more families
get heard, more stories get

1203
01:12:25,920 --> 01:12:29,320
told, and more black women stop
being treated like footnotes in

1204
01:12:29,320 --> 01:12:31,560
cases that should have begun
with their names.

1205
01:12:32,680 --> 01:12:36,560
This is no tears for black
girls, the cases they ignored.

1206
01:12:37,240 --> 01:12:43,240
I am Samantha Paul, Stay loved,
stay safe, and remember whenever

1207
01:12:43,240 --> 01:12:47,040
you are trapped in a World of
Darkness, never allow fear to

1208
01:12:47,040 --> 01:12:50,440
overwhelm you.
Believe in your inner spirit and

1209
01:12:50,440 --> 01:12:52,880
remind yourself of God's first
words.

1210
01:12:53,320 --> 01:12:54,240
Let there be light.