Aug. 14, 2025

Neon Lights, Dark Truth: Bridget Sheil

Neon Lights, Dark Truth: Bridget Sheil
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Neon Lights, Dark Truth: Bridget Sheil

A 19-year-old chasing a modeling dream in Atlanta is found at dawn in Oakland City Park—shot with specialty ammo and left to send a message. We trace her final hours from a Memorial Drive Shell station to a car abandoned near Stone Mountain, and unpack the larger system around her: LA-origin crews embedded in Atlanta’s nightlife, the blurred lines between “security” and control, and why leaving can be treated like treason. Featuring timeline breakdowns, forensics (the Sprite bottle DNA), and voices from advocates and family. Say her name. See the pattern.

Content note: violence, exploitation.Resources for help and exit support are listed in the show notes.

CREDITS:

Created, Written, & Produced by John Reedburg

Hosted & Narrated by Samantha Paul

Production Company: John Reedburg Media

SOCIAL MEDIA LINKS:

https://www.youtube.com/@NoTearsForBlacksGirls

facebook.com/notearsforblackgirls

instagram.com/notearsforblackgirls

tiktok.com/@notearsforblackgirls

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No tears for black girls when
they disappear, No tears for

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black girls like they were never
here, but we remember will speak

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00:00:15,400 --> 00:00:18,680
their names.
Oakland City.

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Park was quiet except for the
dogs.

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Just after sunrise on May 31st,
2016.

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A jogger waved off.
Stray mutts circling something

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in the wet.
Grass the.

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Ground was still slick from a
light dawn drizzle, the kind

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that makes.
Every leaf, whisper the jogger.

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Slowed, squinted, then froze in
the dew.

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There was skin pale.
Exposed.

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Out of place.
In a City Park meant for morning

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Tai chi and stroller walks.
No clothes, no bag, no phone.

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The.
Dogs had found her first.

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Someone had meant for others to
find her next.

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The wounds told their own story
before the city knew her name.

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Shots driven downward into a
body already prone.

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A finishing posture.
Execution, Not argument.

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Not a robbery gone bad, not a
panic.

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It was message work, the kind
that says.

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If you talk.
If you run, if you make the

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wrong person look weak, you end
up here in the open for everyone

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to see.
Her name was Bridget Shield, 19.

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A bright.
Quick talking DC girl raised by

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her grandparents Jim and.
Beverly Tull, She laughed with

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her whole face.
Dramatic in the right ways.

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The kind who would fling open
the blinds and say.

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Look at the day.
In Atlanta, she was chasing a

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modeling dream in a city where
dreams wear makeup and a ring

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light.
There were photo.

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Sets, makeup, chairs.
Instagram shots in good.

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Light there were also.
Questions about how she paid

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rent, who drove her at night,
who answered the phones because

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Google told a different story.
The one families.

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Dread Backpage.
Listings under names like Nastia

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and Spice.
Rotations and aliases.

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The kind of listings that mean
you're being moved.

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Tracked.
Watched.

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That someone else's hands are on
the wheel, Friends whispered

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She'd gotten close to an older
boyfriend, Kevin.

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Police reports traced the
friction in one, she called 911

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and said he punched her in
another.

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Days later, Bridget was.
Fighting with Kevin's child's

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mother, Brittany.
Alaka, while all three.

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Shared the same unforgiving
space.

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Somewhere in that pressure
cooker, a friend says, Bridget

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confided she might be pregnant.
She was.

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Scared to even say.
It out loud fear.

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Is a character in this story.
It sits in the corner of rooms,

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rides in the back seat, keeps
the volume low on voices that

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were loud just a month ago.
The final day of her life.

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Unwinds in traceable beats.
Early evening, she's on

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Snapchat.
Playful near where her.

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Body will be found hours.
Later.

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Too pretty to walk in the grass.
She says.

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Camera.
Tilted, a little flirty, a

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little bored.
She calls a friend and sounds

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fine.
Plans are vague.

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The kind of night that could be
nothing or everything.

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A little after 11 PMA Shell
station on Memorial Drive in De

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Kalb County.
Fluorescent lights, a late night

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quiet punctured by bass from
passing cars.

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Surveillance captures a Redford
Fusion pulling up.

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It's Bridget's car, but Bridget
is in the passenger seat.

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Two men are with her, a witness.
Later says she looked.

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Extremely nervous.
Not tipsy, not annoyed.

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Nervous.
Like she knew this was about to

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turn into something she
couldn't.

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Stop hours later, gunshots.
Crack the morning near Oakland

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City Park.
A neighbor ducks, dials 911

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peers through blinds.
The calls get logged.

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Uniforms route to the wrong edge
of the park.

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Dawn slides forward anyway.
The jogger finds her at autopsy.

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The science makes the message
unmistakable.

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Multiple shots, some fired from
above into a body already down,

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and the ammunition RIP rounds
radically invasive.

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Projectiles.
Not cheap, not common, not

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thrown into the cart by
accident.

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These are engineered to flower
and fragment inside a.

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Body to.
Break and shred to turn organs

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into debris.
You buy them to make sure pain

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becomes a rumor that spreads.
Detectives move in.

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Circles first the.
Scene then the orbit Oakland

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City Park yields little more
than shell casings and silence.

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They follow the car.
The next day, Bridget's Redford

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Fusion is found abandoned near
Stone Mountain, 20 miles from

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the park and not far from that
shell inside.

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Is a Sprite.
Bottle and some of Bridget's

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clothing.
The bottle looks like.

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Clutter.
It isn't.

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00:05:12,520 --> 00:05:15,320
It's a time capsule.
While they wait for the.

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Lab detectives interview.
They speak to Kevin.

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He is defensive in all the ways
men get when grief and guilt are

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both in the room and the cameras
are on.

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In a recorded sit down months
later, he swings between

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tenderness and theater.
He says Bridget meant a lot to

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me.
He insists he's been cleared.

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He denies the hits.
He denies gangs.

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He offers an odd theory.
Maybe Bridget rejected.

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Someone used her aggressive
mouth and paid.

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For it.
It sounds like justification

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dressed up as speculation.
Beverly, Bridget's grandmother,

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hears the wind up and sees
right.

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Through it, she has always
believed.

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Bridget didn't.
Choose the escort life.

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00:06:01,400 --> 00:06:03,920
Someone older ushered her in and
kept her there.

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00:06:05,000 --> 00:06:06,360
She had a.
Lot of growing up to.

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00:06:06,360 --> 00:06:09,520
Do, Beverly would say.
She should have been given the

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00:06:09,520 --> 00:06:12,880
chance between interviews and
vigils.

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The family does what families do
in this kind of limbo.

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00:06:16,520 --> 00:06:19,960
Call the detective.
Clip the news Pray for a lead

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that doesn't come with another
body.

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Attached.
Then the lab calls.

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Back.
The Sprite bottle matters.

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There's DNA on the rim.
It hits a name that makes

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homicide detectives in metro
Atlanta.

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Sit up straighter.
Because they've seen it before,

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and not just once.
Christopher Crisco.

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Spencer Spencer is not rumor.
He is a filing cabinet full.

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Of grief.
In October 2016, five months

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after Bridget was.
Killed.

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00:06:49,200 --> 00:06:52,680
An elderly Stone Mountain
couple, Sylvia Watson and

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Samuel.
White were executed.

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In their apartment, prosecutors
called it senseless.

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Judges called it cold.
Spencer went down for it.

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In another case, a home invasion
on Libby Lane in Clayton County.

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00:07:07,040 --> 00:07:10,560
Spencer and a crew of rolling
20s Crips stormed a house

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looking for a rival.
The rival didn't live there.

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The family that did, 2 parents,
four children became targets.

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00:07:18,560 --> 00:07:23,560
Anyway, 11 year old Tatiana and
her 14 year old brother Davion

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were shot and killed.
In 2023, Spencer and Co

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defendant Devin Dunson were
sentenced to two consecutive

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life terms without parole plus
20 years.

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The Georgia.
Supreme Court has upheld his

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convictions in other.
Cases he will.

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Die in prison if nothing
changes.

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He is the kind of man other men
call when they want someone.

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Erased the.
DNA puts him in Bridget's car,

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his mouth on a bottle someone
left behind in a hurry or in

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arrogance.
Detectives.

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Charge him with malice murder,
Felony murder aggravated.

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Assault with a deadly.
Weapon and a firearm during the

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Commission of a felony.
In Bridget's case, they don't

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fill in the rest, not.
Publicly, who were the?

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Two men at the shell was one of
them Spencer?

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Was the other a?
Lieutenant, how did Spencer's

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00:08:15,400 --> 00:08:19,360
orbit and Bridget's overlap?
Escort OPS a debt.

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00:08:19,800 --> 00:08:24,520
A warning, A punishment?
Did someone order this and if?

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00:08:24,520 --> 00:08:28,160
So what was?
The price of disobedience Here

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is what we think happened and
why.

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We believe Bridget was killed
because she.

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Was trying to leave the
operation.

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00:08:35,840 --> 00:08:39,919
Not a hunch, a pattern.
Start with her words.

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And behavior in the days.
Before she died.

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Friends say Bridget confided she
might be pregnant and was scared

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to tell the man controlling her.
Life that fear.

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Tracks with a known flashpoint
in trafficking dynamics.

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Pregnancy shifts.
Power.

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00:08:56,120 --> 00:09:00,040
It can slow movement, complicate
bookings and trigger violent

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00:09:00,040 --> 00:09:01,760
discipline.
If a girl talks.

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00:09:01,760 --> 00:09:04,560
About stepping away.
The fear also.

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Shows up in her calls.
Short, clipped conversations.

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00:09:08,080 --> 00:09:10,480
Abruptly ended when certain
names came up.

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That is exit energy behavior.
A young woman working an escape

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plan while trying not to make
noise.

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00:09:18,080 --> 00:09:19,560
Look at the movements that
night.

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00:09:19,880 --> 00:09:22,560
She's in her own car, but she's
not driving.

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Two men are with her at the
memorial.

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00:09:25,040 --> 00:09:30,360
Dr. Shell, a witness, says she
looked extremely nervous when a

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victim is seated passenger side
in her own vehicle with

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handlers.
That's transport, not a date.

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00:09:37,440 --> 00:09:40,920
It suggests she wasn't moving
freely and it aligns with a

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common pre exit scenario.
The crew intercepts her under

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the cover of a ride.
A gig or a talk?

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You don't bring two men to a
friendly conversation, you bring

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two men to control outcomes.
Consider the car dump near Stone

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Mountain.
Close to where?

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Christopher Crisco.
Spencer operated.

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00:10:00,440 --> 00:10:02,760
That's not where you leave a
vehicle when a date goes wrong

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by accident.
That's where you leave.

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A vehicle when you want it
recovered in your footprint.

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00:10:07,680 --> 00:10:09,760
Because fear of a.
Witness is gone once the

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message.
Is delivered it also.

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00:10:11,800 --> 00:10:14,640
Tells you the decision makers
were comfortable on that turf.

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00:10:15,360 --> 00:10:17,760
She wasn't.
The Sprite bottle with.

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Spencer's DNA is more than a lab
result.

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It's a snapshot of power
dynamics.

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He wasn't anxious.
He was calm enough to drink.

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Leave.
Saliva and walk away.

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00:10:29,720 --> 00:10:32,440
Girls trying to run don't.
Pause to sip soda.

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00:10:32,760 --> 00:10:37,000
Men staging a lesson due his
presence in her car on the last

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00:10:37,000 --> 00:10:41,080
night of her life collapses a
dozen theories and elevates 1

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enforcement.
The ammunition choice RIP rounds

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00:10:46,760 --> 00:10:51,360
fits that enforcement logic.
They're expensive, uncommon, and

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communicate intent.
This is not a robbery, this is a

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00:10:55,000 --> 00:10:58,160
sanction.
Combine that with her being shot

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from above while prone and the
public staging nude in a family

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park at dawn and the.
Choreography reads like policy.

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Not impulse in trafficking and
gang enforcement.

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00:11:09,880 --> 00:11:14,680
Public degradation is a tactic.
It erases dignity and broadcast

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control to anyone else thinking
of leaving.

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00:11:17,680 --> 00:11:19,680
Her digital.
Footprint strengthens the.

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00:11:19,680 --> 00:11:23,160
Exit hypothesis.
The Backpage aliases.

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00:11:23,200 --> 00:11:27,040
Nastia Spice.
Show a controlled rotation.

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00:11:27,880 --> 00:11:31,120
When a girl is actively making
money for a crew, she's an

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asset.
When she signals she's done, she

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00:11:34,160 --> 00:11:39,120
becomes liability and knowledge.
A 19 year old who knows phones,

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00:11:39,120 --> 00:11:42,360
routes, faces and safe
apartments and is scared enough

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to whisper she's pregnant is
someone a crew might decide to.

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Neutralize rather.
Than risk defection or

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00:11:48,000 --> 00:11:51,160
disclosure.
Add the domestic volatility.

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00:11:51,520 --> 00:11:54,360
Bridget reported being hit, then
got into a fight with her

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00:11:54,360 --> 00:11:57,720
boyfriend's child's mother, all
while sharing a cramped home.

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00:11:58,760 --> 00:12:03,000
That's a pressure cooker.
Exits often begin with domestic

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00:12:03,000 --> 00:12:06,920
flashpoints, arguments that push
a victim to say I'm done.

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00:12:07,080 --> 00:12:11,080
To pack a bag to reach.
Out to a friend her playful

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00:12:11,080 --> 00:12:15,280
Snapchat too pretty to walk in
the grass posted near where she

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00:12:15,280 --> 00:12:19,120
would be found can read like
denial or defiance in the early

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hours of a plan to.
Bolt by the shell.

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00:12:22,400 --> 00:12:25,440
Station that defiance.
Looks replaced by fear.

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00:12:26,440 --> 00:12:29,160
And then there's the silence
from the men at the Shell.

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00:12:30,360 --> 00:12:32,560
Detectives have never named them
publicly.

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No one has claimed they were
just giving her a ride.

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00:12:36,760 --> 00:12:40,240
If this were consensual movement
that turned random, someone

225
00:12:40,240 --> 00:12:44,480
talks in controlled exits.
No one talks because the outcome

226
00:12:44,480 --> 00:12:47,720
was the point.
Thread these clues together.

227
00:12:47,960 --> 00:12:52,280
The pregnancy fear, the clipped
calls, the handlers in her car,

228
00:12:52,520 --> 00:12:57,120
the Spencer DNA, the specialty
rounds, the public degradation,

229
00:12:57,440 --> 00:13:00,360
the Stone Mountain dump.
And you don't get a lover's

230
00:13:00,360 --> 00:13:03,920
quarrel or a random predator.
You get enforcement for

231
00:13:03,920 --> 00:13:07,360
disobedience, the textbook
consequence for a girl trying to

232
00:13:07,360 --> 00:13:09,440
leave a money machine she didn't
control.

233
00:13:10,240 --> 00:13:14,120
To understand the why beyond one
night, you need to understand

234
00:13:14,120 --> 00:13:17,880
Atlanta in that moment and the
currents underneath its skyline

235
00:13:17,880 --> 00:13:22,120
glow.
By the mid 2000s teens, Atlanta

236
00:13:22,120 --> 00:13:24,160
had become the.
Hollywood of the South.

237
00:13:24,560 --> 00:13:27,400
Sound stages, Music video
budgets.

238
00:13:27,640 --> 00:13:32,160
Nightclub residencies, Festival
money for young women.

239
00:13:32,400 --> 00:13:34,560
The city's promise was
intoxicating.

240
00:13:34,880 --> 00:13:39,720
Modeling gigs, Brand ambassador,
work club hosting the fantasy

241
00:13:39,720 --> 00:13:42,400
that one good photo shoot could
turn into a career.

242
00:13:43,240 --> 00:13:46,880
But the same promise created
hunting grounds, the sex

243
00:13:46,880 --> 00:13:48,800
economy.
Here is a sophisticated.

244
00:13:48,800 --> 00:13:53,560
Machine IT recruits from
Instagram DMS, club bathrooms,

245
00:13:53,840 --> 00:13:56,600
modeling agencies.
With glossy websites.

246
00:13:56,600 --> 00:14:00,360
And no licensing.
It advertises on platforms like

247
00:14:00,360 --> 00:14:03,920
Backpage, then and Now, on
encrypted channels and

248
00:14:03,920 --> 00:14:05,880
alternative.
Sites rotating.

249
00:14:05,880 --> 00:14:09,400
Names and faces, changing
numbers, moving the product,

250
00:14:09,400 --> 00:14:11,640
where the money goes.
Conventions.

251
00:14:11,720 --> 00:14:14,120
Sports weekends.
Music festivals.

252
00:14:14,760 --> 00:14:17,280
Now the part Atlanta.
Rarely says out loud.

253
00:14:17,600 --> 00:14:19,800
The Los Angeles pipeline and how
it.

254
00:14:19,800 --> 00:14:24,400
Took root here beginning.
In the 1990s and accelerating

255
00:14:24,400 --> 00:14:28,240
through the 2000s, documented
members and affiliates of major

256
00:14:28,240 --> 00:14:32,640
Los Angeles sets, Rolling 60s,
Neighborhood Crips, 8 Tray,

257
00:14:32,640 --> 00:14:36,200
Gangster Crips, Hoover
Criminals, and subsets like the

258
00:14:36,200 --> 00:14:39,720
Rolling 20s migrated or were
sent to the Southeast.

259
00:14:40,440 --> 00:14:43,520
Some came chasing music, money,
and cheaper cost of living.

260
00:14:43,960 --> 00:14:48,200
Some were transplants through
family relocation, parole moves

261
00:14:48,440 --> 00:14:52,320
or expansion assignments.
Atlanta's position as a

262
00:14:52,320 --> 00:14:56,680
transportation hub and later a
film and music capital made it

263
00:14:56,680 --> 00:15:00,160
ideal ground rolling 60s
neighborhood.

264
00:15:00,160 --> 00:15:03,560
Crips established a real.
Footprint in metro Atlanta by

265
00:15:03,560 --> 00:15:07,440
the late 2000s, particularly in
DeKalb in the South Side.

266
00:15:07,800 --> 00:15:10,880
Blending St. level trafficking
with party promotion and club.

267
00:15:10,880 --> 00:15:13,760
Security.
Their model emphasized

268
00:15:13,760 --> 00:15:19,320
structure, tiers, protocols.
Designated earners and enforcers

269
00:15:20,320 --> 00:15:24,920
investigations in the 2000 tens
tied rolling 60 sets to guns,

270
00:15:25,200 --> 00:15:29,680
narcotics, fraud and enforcement
around the sex economy when it

271
00:15:29,680 --> 00:15:35,520
intersected with profit streams.
8 Trey Gangster Crips imported.

272
00:15:35,520 --> 00:15:37,400
The volatility that.
Defined the LA.

273
00:15:37,400 --> 00:15:41,920
Turf war era.
Home invasions robberies fast

274
00:15:41,920 --> 00:15:47,320
retaliation in Atlanta 8 tray
Gangster Crips activity surfaced

275
00:15:47,320 --> 00:15:50,600
in robbery crews and Interstate
fraud rings with cross

276
00:15:50,600 --> 00:15:53,960
pollination into escort
protection and discipline when

277
00:15:53,960 --> 00:15:59,360
artists and models overlapped
with money movers Hoover

278
00:15:59,360 --> 00:16:03,360
criminals various Hoover sets
known for smash and.

279
00:16:03,360 --> 00:16:06,840
Grab Burglary.
Rings and taxing strategies in

280
00:16:06,840 --> 00:16:09,120
LA.
Hoover affiliated crews.

281
00:16:09,120 --> 00:16:11,960
In the A linked to high speed.
Theft crews.

282
00:16:12,160 --> 00:16:16,520
Gun pipelines and selective
control over dancers and escorts

283
00:16:16,520 --> 00:16:18,520
tied to certain clubs and
promoters.

284
00:16:19,560 --> 00:16:22,920
Rolling 20's the set most
visibly linked to the Spencer

285
00:16:22,920 --> 00:16:24,720
cases in Georgia court.
Records.

286
00:16:25,400 --> 00:16:29,360
In metro Atlanta and adjacent
counties, rolling 20s function

287
00:16:29,360 --> 00:16:32,680
like mobile strike.
Squads tasked crews that could

288
00:16:32,680 --> 00:16:34,320
pivot.
From a targeted robbery to a

289
00:16:34,320 --> 00:16:38,560
punitive hit, their work bled
into the sex economy in the same

290
00:16:38,560 --> 00:16:43,040
way it has on the West Coast as
security, transport, debt

291
00:16:43,040 --> 00:16:46,360
collection and punishment for
perceived disobedience.

292
00:16:47,320 --> 00:16:50,120
Why Atlanta?
Three reasons.

293
00:16:50,120 --> 00:16:53,120
Law enforcement and academics.
Site Mobility.

294
00:16:53,440 --> 00:16:56,120
I20I-75.
I-80.

295
00:16:56,120 --> 00:16:58,640
Five and the.
World's busiest airport.

296
00:16:58,960 --> 00:17:03,240
Money, music, film boom,
convention and sports tourism

297
00:17:03,720 --> 00:17:08,160
and cover dense suburbs,
extended stay hotels and a

298
00:17:08,160 --> 00:17:12,440
nightlife ecosystem where VIP
lists, hostings and modeling

299
00:17:12,440 --> 00:17:16,920
blur into booking systems.
By the early to mid 2000, tens

300
00:17:17,200 --> 00:17:20,400
joint operations between APD
DeKalb.

301
00:17:20,880 --> 00:17:24,920
GB IFB.
I and HSI repeatedly identified

302
00:17:24,960 --> 00:17:29,440
LA origin sets embedded in Metro
Cruise, sometimes collaborating

303
00:17:29,440 --> 00:17:32,560
with local bloods and hybrid
cliques, sometimes running

304
00:17:32,560 --> 00:17:36,640
parallel tracks.
The result wasn't cosplay, it

305
00:17:36,640 --> 00:17:39,680
was a merger.
West Coast discipline stitched

306
00:17:39,680 --> 00:17:43,320
onto Southern Opportunity.
Once those systems rooted

307
00:17:43,600 --> 00:17:46,880
enforcement looked familiar to
anyone who studied LA in the 80s

308
00:17:46,880 --> 00:17:49,680
and 90s.
Highly performative violence

309
00:17:49,680 --> 00:17:51,480
designed to travel by word of
mouth.

310
00:17:52,280 --> 00:17:56,680
Specialty ammo public staging
bodies left in highly.

311
00:17:56,680 --> 00:18:00,440
Visible places cars.
Move to set heavy zones like

312
00:18:00,440 --> 00:18:02,280
Stone Mountain and South.
DeKalb.

313
00:18:02,560 --> 00:18:06,960
Where crews felt insulated and
in the overlapping sex economy,

314
00:18:07,120 --> 00:18:09,520
the rules.
Mirrored the coast the.

315
00:18:09,520 --> 00:18:12,240
Phone and the aliases belong to
the set.

316
00:18:12,680 --> 00:18:15,320
Security is a euphemism for
control.

317
00:18:15,680 --> 00:18:17,560
Leaving is treated as.
Theft or.

318
00:18:17,560 --> 00:18:20,120
Treason in that world.
Certain.

319
00:18:20,120 --> 00:18:25,680
Details become code RIP.
Ammunition means expense, intent

320
00:18:25,960 --> 00:18:28,000
and a desire to leave a calling
card.

321
00:18:28,880 --> 00:18:33,000
Nudity at a dump site is not
sexual, it is humiliation.

322
00:18:33,560 --> 00:18:35,880
A public.
Park at dawn is not clumsy.

323
00:18:36,240 --> 00:18:39,680
It is choreography an.
Abandoned car near Stone

324
00:18:39,680 --> 00:18:43,200
Mountain where a known shooter
hunts is not random.

325
00:18:43,560 --> 00:18:46,880
It is geography.
And there is another geography,

326
00:18:47,160 --> 00:18:49,840
the map of a city at war with
exploitation.

327
00:18:50,880 --> 00:18:54,440
Federal and state task forces
call metro Atlanta a high

328
00:18:54,440 --> 00:18:56,600
intensity corridor for human
trafficking.

329
00:18:57,280 --> 00:18:59,480
Hartsfield.
Jackson International moves more

330
00:18:59,480 --> 00:19:01,360
people than any airport in the
world.

331
00:19:01,920 --> 00:19:04,640
Conventions, sports and
entertainment weekends flood

332
00:19:04,640 --> 00:19:07,040
hotels with anonymous traffic
and cash.

333
00:19:07,800 --> 00:19:11,280
Homeland Security
Investigations, the FBI's Metro

334
00:19:11,280 --> 00:19:15,280
Atlanta Child Exploitation and
Human Trafficking Task Force,

335
00:19:15,600 --> 00:19:19,440
GBI's HEAT unit and local
department stage periodic

336
00:19:19,440 --> 00:19:21,680
stings.
They recover minors.

337
00:19:22,040 --> 00:19:24,400
They arrest buyers,
facilitators.

338
00:19:24,680 --> 00:19:28,200
Pimps The Georgia legislature
has stiffened penalties.

339
00:19:28,480 --> 00:19:31,080
Created vacateur pathways for
survivors.

340
00:19:31,360 --> 00:19:35,000
Funded victim services and
pushed awareness into schools

341
00:19:35,000 --> 00:19:37,160
and hotels.
And yet.

342
00:19:37,480 --> 00:19:40,240
Advocates will tell you the.
Pipeline is still fed by the

343
00:19:40,240 --> 00:19:43,680
same sources.
Kids aging out of foster care,

344
00:19:43,880 --> 00:19:48,720
Runaways, couch surfers, those
fleeing domestic violence and

345
00:19:48,720 --> 00:19:50,560
those drawn by the city's
promise.

346
00:19:50,560 --> 00:19:55,000
With no money to float the
month, the entertainment mirage

347
00:19:55,000 --> 00:19:58,960
lures the street eats when
exported.

348
00:19:58,960 --> 00:20:01,480
Sets.
Graphed onto that pipeline, the

349
00:20:01,480 --> 00:20:06,360
violence looks a certain way.
Quick, organized, punishing and

350
00:20:06,360 --> 00:20:09,040
meant to ripple rolling 60s in
Atlanta.

351
00:20:09,040 --> 00:20:12,920
Built tears cruise with.
Assignments. 8 tray brought

352
00:20:12,920 --> 00:20:14,880
volatility.
Robberies.

353
00:20:14,880 --> 00:20:16,800
Home invasions.
Retaliation.

354
00:20:16,800 --> 00:20:20,800
Hits Hoover Set Specialized.
In smash and grab and

355
00:20:20,800 --> 00:20:25,640
enforcement that bled into sex
economy control when it paid the

356
00:20:25,640 --> 00:20:29,960
rolling 20s tied to Spencer in
multiple cases moved like a

357
00:20:29,960 --> 00:20:33,840
mobile strike team tasked armed
in and out.

358
00:20:34,440 --> 00:20:37,680
Inside those economies,
information is currency.

359
00:20:38,160 --> 00:20:43,080
A 19 year old who knows roots,
phones, photos and names and

360
00:20:43,080 --> 00:20:47,400
wants out becomes a cost center.
Bridget's family has lived

361
00:20:47,400 --> 00:20:50,240
inside that math ever since.
Beverly.

362
00:20:50,240 --> 00:20:53,720
Still sets a place for memory.
She talks about Bridget.

363
00:20:53,720 --> 00:20:55,280
Like the girl is in the next
room.

364
00:20:55,880 --> 00:20:57,720
How she would get ready to
slowly.

365
00:20:58,080 --> 00:20:59,280
How she'd.
Leave a mess.

366
00:20:59,520 --> 00:21:01,800
How bright her laugh used to be
at breakfast.

367
00:21:02,560 --> 00:21:06,000
Jim remembers her stubborn
streak and the way she softened

368
00:21:06,000 --> 00:21:07,120
when she felt.
Safe.

369
00:21:08,200 --> 00:21:11,760
The house is quieter now, but
the silence is not peace.

370
00:21:12,400 --> 00:21:16,800
It is weight, the weight of what
ifs, the weight of A.

371
00:21:16,800 --> 00:21:19,480
Justice that names a killer, but
not a reason.

372
00:21:20,560 --> 00:21:22,440
Reporters.
Call when there's movement in

373
00:21:22,440 --> 00:21:26,840
the other cases when Spencer
loses another appeal when a Co

374
00:21:26,840 --> 00:21:30,160
defendant gets sentenced.
When a judge reads a stack of.

375
00:21:30,160 --> 00:21:34,920
Victim statements into the
record each time Beverly feels

376
00:21:34,920 --> 00:21:36,480
the strange.
Duality.

377
00:21:37,000 --> 00:21:39,600
Relief that a dangerous man is
locked forever.

378
00:21:40,000 --> 00:21:42,880
Frustration that Bridget is
still a footnote in a broader

379
00:21:42,880 --> 00:21:46,960
biography of violence.
The investigation in Bridget's

380
00:21:46,960 --> 00:21:49,720
case has leaned more on
forensics than on eyewitness

381
00:21:49,720 --> 00:21:53,240
recollection.
The Sprite bottle, the car.

382
00:21:53,520 --> 00:21:56,000
The Shell station footage, the
casings.

383
00:21:56,400 --> 00:21:59,400
There's no public evidence that
Kevin was charged in her murder.

384
00:22:00,160 --> 00:22:04,120
His denials stand.
Brittany has declined comment.

385
00:22:04,920 --> 00:22:07,120
The two men at the shell remain
unnamed.

386
00:22:07,600 --> 00:22:11,600
Detectives keep certain threads
close because they must, because

387
00:22:11,600 --> 00:22:13,480
sometimes cases flatten when
they're too.

388
00:22:13,480 --> 00:22:16,840
Public because a trial.
That never comes is a secret

389
00:22:16,840 --> 00:22:20,280
that never speaks.
Even with those gaps, the

390
00:22:20,280 --> 00:22:22,600
outline is clear enough to slice
skin.

391
00:22:23,680 --> 00:22:26,200
Bridget lived under pressure
with an older boyfriend.

392
00:22:26,800 --> 00:22:30,160
She reported violence.
She feared a pregnancy.

393
00:22:30,840 --> 00:22:33,720
She appeared in escort listings
with aliases.

394
00:22:34,200 --> 00:22:36,920
She was seen distressed in her
own car with two men.

395
00:22:37,320 --> 00:22:39,640
Her car was dumped near Stone
Mountain.

396
00:22:40,040 --> 00:22:42,960
A known killer's DNA is on a
bottle inside it.

397
00:22:43,480 --> 00:22:45,320
She was.
Executed with specialty.

398
00:22:45,320 --> 00:22:49,320
Ammunition and left naked in a
park designed for families.

399
00:22:50,080 --> 00:22:53,560
There are chilling subplots,
too, accounts that Bridget had

400
00:22:53,560 --> 00:22:57,120
enemies she didn't name, that
phones were taken, that a

401
00:22:57,120 --> 00:22:59,040
promise of a gig.
Was the bait.

402
00:22:59,880 --> 00:23:03,680
Friends say she became jumpier,
scanning rooms, answering, then

403
00:23:03,680 --> 00:23:07,000
hanging up fast, cutting calls
short when certain names were

404
00:23:07,000 --> 00:23:10,200
spoken.
She told one friend she feared

405
00:23:10,200 --> 00:23:12,960
she was in trouble.
The friend thought she meant

406
00:23:12,960 --> 00:23:15,520
money.
The friend thinks differently

407
00:23:15,520 --> 00:23:18,760
now to.
Tell the story right?

408
00:23:19,080 --> 00:23:22,600
You also have to tell the story.
Of a city that monetized out of

409
00:23:22,600 --> 00:23:24,680
town dreams and out of town
muscle.

410
00:23:25,520 --> 00:23:28,600
You cannot sell Atlanta as the
place where anything can happen

411
00:23:28,840 --> 00:23:32,520
without asking who profits when
anything is allowed to happen.

412
00:23:33,280 --> 00:23:36,840
You cannot shoot a music video
on Memorial Drive and ignore the

413
00:23:36,840 --> 00:23:39,320
gas station lights that.
Hosted the last Clear.

414
00:23:39,320 --> 00:23:43,320
Footage of a teenager who wanted
to be seen for her beauty, not

415
00:23:43,320 --> 00:23:44,680
her autopsy.
Scars.

416
00:23:45,680 --> 00:23:49,520
There are other voices here too.
Advocates who sit in hospital

417
00:23:49,520 --> 00:23:52,200
waiting rooms and talk.
Survivors through the paperwork.

418
00:23:53,080 --> 00:23:56,240
Detectives who go home with the
smell of cut grass and gunpowder

419
00:23:56,240 --> 00:23:58,600
in their.
Clothes prosecutors.

420
00:23:58,600 --> 00:24:02,360
Who pin timelines to courtroom
walls and stare at the spaces

421
00:24:02,360 --> 00:24:05,720
where motives should be.
Mothers who warned daughters

422
00:24:05,720 --> 00:24:09,080
that Adm from a photographer.
Is usually a flyer.

423
00:24:09,080 --> 00:24:12,440
For a nightmare, fathers who
learned too late that their

424
00:24:12,440 --> 00:24:15,800
pride in a daughter's hustle
blinded them to the hands that

425
00:24:15,800 --> 00:24:18,680
guided it.
And there is a simple, ugly

426
00:24:18,680 --> 00:24:22,560
business rule underneath
everything in this economy,

427
00:24:22,760 --> 00:24:26,800
silence is enforced.
If you speak, if you leave.

428
00:24:27,120 --> 00:24:30,520
If you embarrass the wrong
person, someone sends a message.

429
00:24:31,400 --> 00:24:36,000
RIP rounds a public.
Park a body.

430
00:24:36,000 --> 00:24:40,560
Stripped of dignity but not of
worth, Bridget had worth beyond

431
00:24:40,560 --> 00:24:42,960
measure.
So what remains?

432
00:24:42,960 --> 00:24:44,440
Almost a decade.
Later.

433
00:24:45,280 --> 00:24:50,000
Open questions that matter.
Was Bridget targeted because she

434
00:24:50,000 --> 00:24:52,520
tried to?
Leave an operation because she

435
00:24:52,520 --> 00:24:55,800
owed money.
Because she carried a secret or

436
00:24:55,800 --> 00:24:59,040
a child.
Were the two men at the shell

437
00:24:59,040 --> 00:25:02,840
acting on orders or improvising
violence in a car that wasn't

438
00:25:02,840 --> 00:25:06,400
theirs?
Did the person who chose the

439
00:25:06,400 --> 00:25:08,760
ammunition also choose the
location?

440
00:25:09,160 --> 00:25:11,400
Or was that?
Decision made in panic after a

441
00:25:11,400 --> 00:25:15,000
plan went sideways.
How many other names sit in

442
00:25:15,000 --> 00:25:15,880
case?
Files where the.

443
00:25:15,880 --> 00:25:20,720
Pattern looks like this escort
listings, a gas station, a dump

444
00:25:20,720 --> 00:25:25,880
site, and the only difference is
the zip code detectives may know

445
00:25:25,880 --> 00:25:28,520
more than they can.
Say prosecutors.

446
00:25:28,520 --> 00:25:31,120
May be holding motive threads
for a courtroom that may never

447
00:25:31,120 --> 00:25:33,440
be convened because the man at
the center.

448
00:25:33,440 --> 00:25:37,760
Is already buried alive by.
Stacked sentences, sometimes

449
00:25:37,760 --> 00:25:39,040
justice.
Is a locked door.

450
00:25:39,040 --> 00:25:42,760
Without an explanation,
sometimes the truth is trapped

451
00:25:42,760 --> 00:25:45,280
in the mouth of a witness.
Too scared to speak?

452
00:25:46,040 --> 00:25:49,400
For Beverly and Jim, that
silence is its own cruelty.

453
00:25:50,080 --> 00:25:52,280
For Atlanta, the lesson is not
abstract.

454
00:25:53,120 --> 00:25:56,200
You cannot map the city's boom
without mapping the economies

455
00:25:56,200 --> 00:25:58,840
that shadow it.
You cannot celebrate the

456
00:25:58,840 --> 00:26:02,200
entertainment machine and
pretend not to hear its gears

457
00:26:02,200 --> 00:26:05,800
grind up the vulnerable.
You cannot remember Bridget only

458
00:26:05,800 --> 00:26:08,920
at the end of her life.
You must remember the beginning,

459
00:26:09,440 --> 00:26:13,120
the girl who wanted cameras and
sunlight, who believed in her

460
00:26:13,120 --> 00:26:16,120
face and her future.
Who moved to a city?

461
00:26:16,120 --> 00:26:19,840
To be seen, and was finally seen
only as evidence.

462
00:26:20,680 --> 00:26:23,560
If you are listening to this in
your car on your way to a shoot,

463
00:26:23,920 --> 00:26:27,680
or in your room packing to move
to Atlanta for a dream, write

464
00:26:27,680 --> 00:26:31,840
this into your plan.
Insist on contracts on daylight

465
00:26:31,840 --> 00:26:35,320
meetings, on bringing someone
with you, on controlling your

466
00:26:35,320 --> 00:26:40,400
phone, on not letting anyone
hold your IDs, on choosing rides

467
00:26:40,400 --> 00:26:44,240
you can end if a message in your
gut says turn around.

468
00:26:44,600 --> 00:26:48,440
Treat that like gospel.
And if you're already inside and

469
00:26:48,440 --> 00:26:51,680
want out, there are numbers to
call and people who will meet

470
00:26:51,680 --> 00:26:54,840
you where you are, advocates who
don't need your story to be.

471
00:26:54,840 --> 00:26:57,880
Pretty to fight for you.
Bridget should have been given

472
00:26:57,880 --> 00:27:00,120
the chance to grow up.
She wasn't.

473
00:27:00,920 --> 00:27:04,520
The least we can do is say her
name, trace the pattern, and cut

474
00:27:04,520 --> 00:27:08,280
it where we can by telling the
truth out loud, even when the

475
00:27:08,280 --> 00:27:10,600
people who enforce silence are
still listening.

476
00:27:11,400 --> 00:27:12,840
If you.
Like this episode and our

477
00:27:12,840 --> 00:27:14,760
podcast?
Be sure to share on social

478
00:27:14,760 --> 00:27:16,560
media.
Leave a 5 star.

479
00:27:16,560 --> 00:27:21,320
Rating and positive review.
Up next is the song Headlines

480
00:27:21,520 --> 00:27:24,240
from the soundtrack for novel
The Price of Silence.

481
00:27:24,520 --> 00:27:26,600
A No.
Tears for black girls.

482
00:27:26,600 --> 00:27:30,120
Story written by.
Our show's creator, JC Reedberg.

483
00:27:30,760 --> 00:27:33,960
The Price of Silence is
available now on Amazon and for

484
00:27:33,960 --> 00:27:36,120
a free download on Amazon
Kindle.

485
00:27:36,760 --> 00:27:39,760
Stay loved, stay blessed.
And stay safe.

486
00:27:40,720 --> 00:27:48,600
This is Samantha Paul.
For every queen whose story

487
00:27:48,600 --> 00:27:53,400
never made the headlines, this
is your anthem, your testimony.

488
00:28:10,840 --> 00:28:15,600
The stone So this crowd up, rise
up, speed up.

489
00:28:15,840 --> 00:28:28,560
Now we ain't asking for
permission and we call. 35 And

490
00:28:28,560 --> 00:28:30,640
brilliant dreams cut through the
windshield.

491
00:28:30,640 --> 00:28:33,280
Another birthday stolen, Another
truth concealed.

492
00:28:33,520 --> 00:28:36,760
Where's the breaking news?
When black Queens disappear, My

493
00:28:36,760 --> 00:28:39,240
city knows your name, even if
cameras weren't there.

494
00:28:39,400 --> 00:28:42,200
When I report my truth, Why is
the system so quiet?

495
00:28:42,520 --> 00:28:45,000
When we scream for justice, why
they try to deny it?

496
00:28:45,200 --> 00:28:48,240
My melanin magnificent.
My power undeniable.

497
00:28:48,600 --> 00:28:50,760
My story we're telling.
My life irreplaceable.

498
00:28:51,800 --> 00:28:56,320
Can you feel that?
Thunder Sisters rising up.

499
00:28:57,880 --> 00:29:00,560
Breaking.
Through the silence, say.

500
00:29:00,560 --> 00:29:04,440
It's time and love, don't tell a
story.

501
00:29:04,560 --> 00:29:07,240
Don't tell it right.
Glory the fight to survive.

502
00:29:08,360 --> 00:29:10,000
In a.
World that tries to minimize.

503
00:29:10,200 --> 00:29:27,120
Not anymore.
1 Queens vanished, but who's

504
00:29:27,120 --> 00:29:29,600
counting beside us?
Brown skin missing, system

505
00:29:29,600 --> 00:29:31,000
dismissing.
That's the crisis.

506
00:29:31,000 --> 00:29:33,760
Give white victims prime time
while our faces just flash.

507
00:29:33,760 --> 00:29:36,480
We're more than your crime
scene, more than a broadcast

508
00:29:36,600 --> 00:29:40,000
from Vine City to Decatur, we're
creating our haven mothers

509
00:29:40,000 --> 00:29:42,440
organizing searches when the
system's misbehaving.

510
00:29:42,440 --> 00:29:44,840
My billboard should bear the
names and lights so bright.

511
00:29:45,160 --> 00:29:47,800
Justice delayed ain't justice.
We fighting day and night.

512
00:29:48,960 --> 00:29:51,960
So powerful.
Deliver Can you hear them

513
00:29:51,960 --> 00:29:53,840
calling?
We hear you calling.

514
00:29:53,840 --> 00:29:59,080
Drink concrete and steal you.
The voices of my.

515
00:29:59,080 --> 00:30:03,640
Sister too powerful to conceal
There's a new birther.

516
00:30:03,640 --> 00:30:08,520
Rallies at 5 points.
Between the city streets, a

517
00:30:08,520 --> 00:30:15,480
revolution.
Spirit and a glory, the fight to

518
00:30:15,520 --> 00:30:17,040
survive.
In a.

519
00:30:17,200 --> 00:30:19,240
World that tries to minimize
anymore.

520
00:30:34,440 --> 00:30:39,120
For every sister lost but never
forgotten, Every story untold

521
00:30:39,120 --> 00:30:43,520
but still unfolding.
We don't just survive, we

522
00:30:43,520 --> 00:30:47,440
thrive.
We don't just remember, we rise.

523
00:30:48,520 --> 00:30:54,640
My name is worth remembering, my
story deserves Tavern, my life

524
00:30:54,640 --> 00:31:02,480
is worth fighting for, and my
legacy just begin.